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This High EQ shelving type of active tone control varies the treble
frequencies (+/- 15 dB at 12 kHz) and is designed to remove noise or
add brilliance to the signal, depending on the quality of the source.
Where most mid-range controls work at just one frequency, the
Mid-Morph works at two. When turned counterclockwise, it cuts at
250 Hz to reduce frequencies that muddy the sound. When turned
clockwise, it boosts at 4 kHz to add intelligibility to vocals. Either
way, improved vocal or instrument denition can be achieved.
A shelving type of EQ that varies the bass frequency levels (+/-
15 dB at 80 Hz). Low EQ adds depth to thin-sounding signals or
cleans up the muddy ones. As with any EQ, use sparingly. Too
much of this EQ can give you a booming bottom end.
The monitor send adjusts the level of the channel signal added to
the monitor send. Keep in mind the monitor send can be assigned
to one of two power ampliers and power an external monitor
speaker.
This control adjusts the level of the channel signal added to the
effects mix. The signal is sent to the internal effects processor.
Turning the knob to the left (0) will turn off effects on the associ-
ated channel, while turning the knob to the right will increase the
amount of the selected effect.
This control sets the signal level sent to the main mix.
When this LED turns or blinks red, it is an indication that the signal
coming into the channel is too strong, potentially causing distor-
tion. Turn down the Level control (6) until the Clip light is no longer
present. If you are having difculty getting a clean signal, try vary-
ing the output of the connected device.
When this LED is green, it is an indication the mixer is receiving
signal at the input of the channel. If you are having trouble getting
sound out of the mixer and this LED is not on, check the micro-
phone, instrument or cable that is connected to the channel.
This combination input jack can accept either a 1/4” (balanced or
unbalanced) input or an XLR balanced, low-impedance connection.
The tip is positive on the 1/4” balanced input, and pin 2 is positive
on the XLR.
Channel 7 line input is a Hi-Z unbalanced input for use with high
impedance microphones, acoustic/electric guitars or other high
impedance sources equipped with a 1/4" plug (TS).
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