Peavey Studio Pro 50 User Manual

OPERATING GUIDE
FRONT PANEL
[ ee
"CAUTION
"BEFORE USING THIS INSTRUMENT, READ BACK COVER FOR FURTHER WARNINGS.
NPuTS
0 ( D (4
Q)INPUT 1
Used for most electric guitars
T is 6 dB louder than Input 2.
()INPUT2
Provided for instruments that
have extremely high outputs
which can result in overdriving
(distorting) Input 1. H both
inputsare used simultaneously,
the output levels are the same
(both are low gain
(8) PRE GAIN
Controle the input volume level.
of the lead channe
(4) PULL BRIGHT
Adds high frequency boost (+8
dB)tothesound and isactivated
by gently pulling out the Pre
Gain knob.
(8I SATURATION!
(U.S. Patent 24,439,742)
Tsatransistorsimulation of tube
distortion [soft clipping). Tt con-
trols the amount of distortion
that can be added.
(6) POST GAIN
Controls theoverzll vol
of the lead channel. The
lovel adjustment should bemade
Atert desired sound has been.
achieved.
10:10
AN
) (8)
(1) EINGANG 1
Dieser Eingang wird für die
meisten elektrischen Gitarren
verwendet. Er ist 6 dB emp.
findlicher als der Eingang 2.
(2) EINGANG 2
Dieser Eingang ist für Instru
mente mit besondere hohem
Ausgangssignal vorgesehen, die.
ein Verzerren von Eingang 1
verursachen könnten.
(3) PRE GAIN
Kontrolliert den Vorstufenpegel
des Lead-Kanals
(4) PULL BRIGHT
Bewirkt eine Anhebung der
höheren Frequenzen (um +8 AB)
und wird betätigt, indem man
den “Pre-Gain”-Knopf heraus.
zieht.
(8) SATURATION™
Bewirkt eine harmonische
Verzerrung eines voll über
stouerten Röhren Verstärkers
(gleichmässige Verzerrung,
singendes Sustain und warmer
Ton)
16) POST GAIN
Kontrelliert den gesamten
Lautstárke-Pegel des Haupt
als (Mastervolumen). Die
endgultize Lautstarkeregelung.
sollte vorgenommen werden,
nachdem der gewünschte Sound
ringeste
EGUALIZATION
oolo:
Ke GH
(U) (8) (9)
() ENTRÉE “INPUT” 1
Cette prise d'entrée sera utilisée
avec la plupart dos guitares
électriques Son gain estsuperteur.
de 6 dB à celui de l'Entrée 2.
(2 ENTRÉE “INPUT” 2
Cette entrée conviendra aux
instruments disposant d'un trés
fort niveau de sortie et qui
pourraient alorssaturerl'Entrée
1 (distorsion). Si les deux pri
(1 et 2} sont utilisées simultanc-
ment, les deux niveaux seront
équivalents (faible gain).
(3) PRE GAIN
(Volume Amont)
Commande le volume del'entrèe
sur le canal Lead (Solo
(4) PULL BRIGHT
(Son Clair)
oute une bosse de présen.
de +8 dB) à la róponso. Se met
tirant sur le
bouton Pre Gain.
IB SATURATION
Cet effet simule une distorsion
d'ampli à tubea (léger ècrètage’
Le potentiometre dose l'impor.
tance de l'effet de distorsion.
(6) POST GAIN
(Volume Aval)
Commande le volume général
da canal Lead (Solo). Ceréglage
de niveau sera effectué après
avoirobtenuleson souhaité par
les autres rêgi
(DE
Se usa para la mayo
guitarras olêctricas.
más alta que la entrada.
(2) ENTRADA 2
Ponsada parainstrumontos que
tienen salidas extremadamente
altas, lo que podria causar
distorsión en la Entrada 1. Si
las dos entradas se usan simul
taneamente, los niveles desalida
3on los mismos (ambos son de
baja ganancia).
(3) PRE GAIN
(Control del Preamplificacor)
Controla la enteada de voliümer:
en el canal de la guitarra.
(4) PULL BRIGHT
(Control de Brillo)
Agrega una alta frecuencia (de
Rd más alsonidoy esactivado
el control
del preamplificador (Pre Gain).
(5) SATURATION™
Es una simulación de distorción
con bulbos a base detransistores
(distorción suave); Controla la
cantidad de distorción que puede
sor agregada.
(6) POST GAIN
(Control de Volúmen Posterior
al Preamplificador)
Controla el volümen general
del canal de la guitarra. El ajuste
final debe hacerse después
deque el sonido desea do ha sido
archivado.

Peavey Studio Pro 50 Specifications

General

Power Output	50 Watts
Speaker Size	12 inches
Channels	2 (Clean and Lead)
Effects	Reverb
Footswitch	Optional (for channel switching)
Inputs	1 x 1/4" Instrument Input
Outputs	1 x 1/4" Headphone Output, 1 x 1/4" Extension Speaker Output
EQ	3-Band EQ
Type	Solid State Guitar Amplifier
Controls	Gain, Treble, Mid, Bass, Reverb

Summary

Front Panel Controls

Input Jacks (1-2)

Describes the two input jacks, their gain levels, and usage.

Pre Gain Control (3)

Controls the input volume level for the lead channel.

Pull Bright Feature (4)

Adds high-frequency boost when the Pre Gain knob is pulled.

Saturation™ Control (5)

Simulates tube distortion (soft clipping) and controls its amount.

Post Gain Control (6)

Controls the overall volume level of the lead channel.

Equalization Controls (7-8)

Passive controls for low, mid, high frequencies and a 'Pull Thick' function.

Master Reverb (9)

Controls the built-in echo/reverb effect.

Power Switch (10)

Turns the unit on/off, indicated by a pilot light.

Back Panel Connections

Line Cord (A)

Details safety features regarding the 3-wire line cable and grounding.

Preamp Out/Power Amp In (B)

Connects effects units or routes signal to external devices.

Line Output (C)

Routes signal directly to mixing/recording consoles.

Remote Switch Jack (D)

Connects an optional footswitch for Saturation™ and reverb.

Tone Settings Examples

Rock Tone Settings

Example settings for achieving a rock sound.

Country Tone Settings

Example settings for achieving a country sound.

Jazz Tone Settings

Example settings for achieving a jazz sound.

Specifications

Power Amplifier Section

Details output power, impedance, and frequency response.

Distortion and Noise Levels

Specifies total harmonic distortion and hum & noise levels.

Preamp and Line Output Specs

Details preamp output level, impedance, and line output specifications.

Equalization and Footswitch Features

Specifications for EQ, Pull Thick, and footswitch functionality.