Peavey Ultraverb II - Page 19

di Input damping 0 or 1
When set to 1, filters highs from the input signal to produce an overall less
bright reverb sound.
dt Tail damping 0 or 1
When set to l, inserts a high-cut filter in the reverb feedback loop so that the
signal becomes less and less bright as it decays.
dl Tail Damping, Left 0 or 1
Similar to above, but used with dual reverb algorithms. Lets you set
damping independently for the left and right channels.
dr Tail Damping, Right 0 or 1
See above.
SLP Gate Slope 0-2
0 provides the most abrupt reverb cutoff, 1 a somewhat gentler reverb slope,
and 2 a reverse reverb slope .
t Gate Time 000-.510 sec
Sets the time after which the gated reverb effect cuts off.
3.2B Chorus
Chorusing simulates the sound of instruments playing en ensemble by
creating a duplicate of the signal to be chorused, then slightly delaying it and
modulating (sweeping) the delay time to create a subtle pitch shift.
Chorusing helps thicken up the sounds of guitars, voices, synthesized
strings, pads, and gives a sound more "texture."
At short delays (under 20 ms, but generally less than 15 ms), selecting a wide
sweep range and slow modulation rate creates an effect called flanging. This
produces a spacey, jet-airplane-like sound.
Note that when chorus is in a multiple effects algorithm, the output
contains the chorus input signal mixed with the chorused signal.
r Rate 000-255
Varies the rate at which detuning occurs. Faster rates give more of a vibrato
effect, slower rates a more grandiose "rolling' sound.
d Depth 000-255
Alters the amount of detuning. Lots of depth can create an out-of-tune feel
unless the rate is very slow.