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INTRODUCTION
Congratulations on purchasing one of Phonic’s many quality
compact mixers. The entire AM series of mixers – designed
by the ingenious engineers that have created a variety of
mixers fantastic in style and performance in the past – displays
similar proficiency that previous Phonic products have shown;
with more than a few refinements, of course. The AM series
features full gain ranges, amazingly low distortion levels, +22
dBu line signal handling, and incredibly wide dynamic ranges,
just showing the dominance these small machines will have in
the studio or live venues.
We know how eager you are to get started – wanting to get
the mixer out and hook it all up is probably your number one
priority right now – but before you do, we strongly urge you to
take a look through this manual. Inside, you will find important
facts and figures on the set up, use and applications of your
brand new mixer. If you do happen to be one of the many
people who flatly refuse to read user manuals, then we just
urge you to at least glance at the Instant Setup section. After
glancing at or reading through the manual (we applaud you if
you do read the entire manual), please store it in a place that
is easy for you to find, because chances are there’s something
you missed the first time around.
FEATURES
AM55
z Audiophile-quality mic preamps & ultra low noise
z 1 mic/line and 2 stereo channels
z 2-Band EQ on mono input channel
z 2T RTN & 2T REC for CD or tape recorder
z Dual 4-segment master level meter
z Headphones output with volume control
z Peak LED on mono input channel
z Balanced master output
AM85
z Audiophile-quality & ultra low noise
z Two balanced Mic/Line inputs with 3-band EQ
z Two stereo inputs with 3-band EQ
z One stereo aux return
z Post-fader EFX send on every input
z Global +48V phantom power
z Peak and VU Metering
z Peak indicators on each mono input channel
z 2T RTN assignable individually to Main or Control room
z Balanced master output
AM105
z Audiophile-quality & ultra low noise
z Two balanced Mic/Line inputs with 3-band EQ and low cut
z Four stereo inputs with +4/-10 select button
z Post-fader AUX send on every input
z Global +48V Phantom Power
z CTRL RM and headphones outputs
z Peak indicators on each mono input channel
z Convenient RCA stereo I/O
z Balanced master output
AM105FX
z Audiophile-quality & ultra low noise circuitry
z Two balanced Mic/Line inputs with 3-band EQ and low cut
z Four stereo inputs with +4/-10 select button
z Post-fader AUX send on every input
z Global +48V Phantom Power
z CTRL RM and headphones outputs
z Peak indicators on each mono input channel
z Convenient RCA stereo I/O
z Variable delay effect with variation control
z Balanced master output
AM125
z Audiophile-Quality & ultra low noise
z 4 mono mic/line channels
z 4 stereo channels
z AUX sends on each channel
z 75Hz low-cut filter on mono channel
z 3-band EQ on each mono channel
z +48V phantom power on mic channels
z Control room/Phones source matrix for maximum monitor
flexibility
z AUX send cue for monitoring individual channel
z Balanced TRS output
AM125FX
z Audiophile-Quality & ultra low noise
z 4 mono mic/line channels
z 4 stereo channels
z AUX sends on each channel
z 75Hz low-cut filter on mono channel
z 3-band EQ on each mono channel
z +48V phantom power on mic channels
z Control room/Phones source matrix for maximum monitor
flexibility
z AUX send cue for monitoring individual channel
z Variable delay effect with variation control
z Balanced TRS output
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