Roland JV-80 - Page 143

3.Rhythm Edit Mode
CONTROL
Parameters Selected by
CONTROL
|(1
Page)
:Ar
A
single musical instrument is
capable of producing many
different sounds,
depending on the playing techniques
used. To
reproduce these
different sounds by using
several Rhythm Tones simultaneously,
the Tones can be assigned
to a
special group, the Mute Group,
that keeps the Tones from
all sounding at the same
time.
For
example, set the the
open hi-hat and closed
hi-hat sounds to
the
same
Mute Group number, so
that playing one of the sounds
automatically cuts off
the sound of the other.
^
Set the
Envelope
mode to NO-SUS
for sound programs
like castanet and snare drum,
the sounds of which decay
quickly, to
prevent
the decay of
the sound from being
altered
by
note off data or the use of
the sustain pedal. On the
other hand, for instruments
like timpani and cymbals,
the sound is often
muted
in
the middle of
the sound. For these
types of sounds, set the
Envelope mode to
SUS,
and release
the key (key off)
when you
want
to
mute the sound.
CONTROL
Page
:[
-C2
1! Gender I En'-.-'
-Mode 1
Mute-Grp
C:
hi T' R LI 2 1
hi
-
S !
J
S
1
F F
Bender Bend
Range Range:
—
12
This determines the pitch bend range of
the bender/modulation
lever, when it is
moved laterally. The parameter is set
in
semitone units and changes the pitch by
one
octave
at the
maximum
value
(12).
Env-Mode Envelope
Mode Settings:
NO-SUS/SUS
This determines
how the Rhythm Tone
will sound. When this is set
to
NO-SUS,
the time from the
sustain level
(L3)
to the key off point is ignored by
the
TVA evnelope
of
the Rhythm Tone, and
the decay starts immediately. The
sound
stops
sounding
after a certain time (Tl
+
T2
+ T3
-f
T4).
When this is set to
SUS,
the
Rhythm Tone can be
muted by releasing
the key played, since
the sustain
level
is
maintained until the key off
point.
SUS
NO-SUS
Volume
Volume
Sound stops
Time
Time
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