Roland VS-2480 - Page 107

107
MIDI Implementation
MIDI Implementation
| 04 50 01 0A | 00 — 09 | R—BUS1 5/6 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0B | 00 — 09 | R—BUS1 7/8 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0C | 00 — 09 | R—BUS2 1/2 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0D | 00 — 09 | R—BUS2 3/4 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0E | 00 — 09 | R—BUS2 5/6 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 0F | 00 — 09 | R—BUS2 7/8 SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 10 | 00 — 09 | COAXIAL L/R SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 11 | 00 — 09 | OPTICAL L/R SOURCE |
| | | MASTER,MONITOR,AUX1/2,,,AUX7/8,DIR1/2,,,DIR7/8 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 12 | 00 — 01 | TRACK DIRECT OUT Off,On |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 13 | 00 — 01 | TRACK DIRECT SOURCE PreFader,PostFader |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 14 | 00 — 0C | TRACK DIRECT OUT PHONES1 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 15 | 00 — 0C | TRACK DIRECT OUT PHONES2 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 16 | 00 — 0C | TRACK DIRECT OUT A.MULTI 1/2 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 17 | 00 — 0C | TRACK DIRECT OUT A.MULTI 3/4 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 18 | 00 — 0C | TRACK DIRECT OUT A.MULTI 5/6 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 19 | 00 — 0C | TRACK DIRECT OUT A.MULTI 7/8 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1A | 00 — 0C | TRACK DIRECT OUT R—BUS1 1/2 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1B | 00 — 0C | TRACK DIRECT OUT R—BUS1 3/4 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1C | 00 — 0C | TRACK DIRECT OUT R—BUS1 5/6 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1D | 00 — 0C | TRACK DIRECT OUT R—BUS1 7/8 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1E | 00 — 0C | TRACK DIRECT OUT R—BUS2 1/2 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 1F | 00 — 0C | TRACK DIRECT OUT R—BUS2 3/4 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 20 | 00 — 0C | TRACK DIRECT OUT R—BUS2 5/6 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 21 | 00 — 0C | TRACK DIRECT OUT R—BUS2 7/8 SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 22 | 00 — 0C | TRACK DIRECT OUT COAXIAL L/R SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 23 | 00 — 0C | TRACK DIRECT OUT OPTICAL L/R SOURCE (*12) |
| | | TR1/2,,,TR23/24,MONITOR |
|—————————————+—————————+———————————————————————————————————————————————————|
| 04 50 01 24 | 0aaaaaaa| REC BUS MIX ATT —42.0,,,+0.0dB(—420,,,0) |
| 04 50 01 25#| 0bbbbbbb| |
|—————————————+—————————+———————————————————————————————————————————————————|
(*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the
Data Set (DT1) or Data Request (RQ1) message with the specified size to the address
without “#” mark.
(*1) Dynamics Ratio Table
+——————+————————+
| Data | RATIO |
+——————+————————+
| 0 | 1.00:1 |
| 1 | 1.12:1 |
| 2 | 1.25:1 |
| 3 | 1.40:1 |
| 4 | 1.60:1 |
| 5 | 1.80:1 |
| 6 | 2.00:1 |
| 7 | 2.50:1 |
| 8 | 3.20:1 |
| 9 | 4.00:1 |
| 10 | 5.60:1 |
| 11 | 8.00:1 |
| 12 | 16.0:1 |
| 13 | Inf:1 |
+——————+————————+
(*2) Dynamics Attack/Release time Table
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|| Data |Atk(ms)|Rel(ms)|
+——————+———————+———————++——————+———————+———————++——————+———————+———————++——————+———————+———————+
| 0 | 0.0 | 0 || 32 | 4.0 | 40 || 64 | 25.0 | 250 || 96 | 160.0 | 1600 |
| 1 | 0.1 | 1 || 33 | 4.2 | 42 || 65 | 26.6 | 266 || 97 | 170.0 | 1700 |
| 2 | 0.2 | 2 || 34 | 4.5 | 45 || 66 | 28.0 | 280 || 98 | 180.0 | 1800 |
| 3 | 0.3 | 3 || 35 | 4.7 | 47 || 67 | 30.0 | 300 || 99 | 190.0 | 1900 |
| 4 | 0.4 | 4 || 36 | 5.0 | 50 || 68 | 31.5 | 315 || 100 | 200.0 | 2000 |
| 5 | 0.5 | 5 || 37 | 5.3 | 53 || 69 | 33.5 | 335 || 101 | 210.0 | 2100 |
| 6 | 0.6 | 6 || 38 | 5.6 | 56 || 70 | 35.5 | 355 || 102 | 224.0 | 2240 |
| 7 | 0.7 | 7 || 39 | 6.0 | 60 || 71 | 37.6 | 376 || 103 | 237.0 | 2370 |
| 8 | 0.8 | 8 || 40 | 6.3 | 63 || 72 | 40.0 | 400 || 104 | 250.0 | 2500 |
| 9 | 0.9 | 9 || 41 | 6.7 | 67 || 73 | 42.2 | 422 || 105 | 266.0 | 2660 |
| 10 | 1.0 | 10 || 42 | 7.1 | 71 || 74 | 45.0 | 450 || 106 | 280.0 | 2800 |
| 11 | 1.1 | 11 || 43 | 7.5 | 75 || 75 | 47.3 | 473 || 107 | 300.0 | 3000 |
| 12 | 1.2 | 12 || 44 | 8.0 | 80 || 76 | 50.0 | 500 || 108 | 315.0 | 3150 |
| 13 | 1.3 | 13 || 45 | 8.4 | 84 || 77 | 53.0 | 530 || 109 | 335.0 | 3350 |
| 14 | 1.4 | 14 || 46 | 9.0 | 90 || 78 | 56.0 | 560 || 110 | 355.0 | 3550 |
| 15 | 1.5 | 15 || 47 | 9.4 | 94 || 79 | 60.0 | 600 || 111 | 376.0 | 3760 |
| 16 | 1.6 | 16 || 48 | 10.0 | 100 || 80 | 63.0 | 630 || 112 | 400.0 | 4000 |
| 17 | 1.7 | 17 || 49 | 10.6 | 106 || 81 | 67.0 | 670 || 113 | 422.0 | 4220 |
| 18 | 1.8 | 18 || 50 | 11.2 | 112 || 82 | 71.0 | 710 || 114 | 450.0 | 4500 |
| 19 | 1.9 | 19 || 51 | 12.0 | 120 || 83 | 75.0 | 750 || 115 | 473.0 | 4730 |
| 20 | 2.0 | 20 || 52 | 12.5 | 125 || 84 | 80.0 | 800 || 116 | 500.0 | 5000 |
| 21 | 2.1 | 21 || 53 | 13.3 | 133 || 85 | 84.0 | 840 || 117 | 530.0 | 5300 |
| 22 | 2.2 | 22 || 54 | 14.0 | 140 || 86 | 90.0 | 900 || 118 | 560.0 | 5600 |
| 23 | 2.4 | 24 || 55 | 15.0 | 150 || 87 | 94.4 | 944 || 119 | 600.0 | 6000 |
| 24 | 2.5 | 25 || 56 | 16.0 | 160 || 88 | 100.0 | 1000 || 120 | 630.0 | 6300 |
| 25 | 2.7 | 27 || 57 | 17.0 | 170 || 89 | 106.0 | 1060 || 121 | 670.0 | 6700 |
| 26 | 2.8 | 28 || 58 | 18.0 | 180 || 90 | 112.0 | 1120 || 122 | 710.0 | 7100 |
| 27 | 3.0 | 30 || 59 | 19.0 | 190 || 91 | 120.0 | 1200 || 123 | 750.0 | 7500 |
| 28 | 3.2 | 32 || 60 | 20.0 | 200 || 92 | 125.0 | 1250 || 124 | 800.0 | 8000 |
| 29 | 3.3 | 33 || 61 | 21.0 | 210 || 93 | 133.0 | 1330 |+——————+———————+———————+
| 30 | 3.6 | 36 || 62 | 22.4 | 224 || 94 | 140.0 | 1400 |
| 31 | 3.8 | 38 || 63 | 23.7 | 237 || 95 | 150.0 | 1500 |
+——————+———————+———————++——————+———————+———————++——————+———————+———————+
(*3)See Mixer Frequency Table of NRPN and Mixer Parameter.
(*4)See Mixer Q Table of NRPN and Mixer Parameter.
(*5)This is read-only. Settings can only be made from the panel.
(*6)This is disabled when SURROUND MIX SWITCH is set to “Off.”
(*7)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “2+2.”
(*8)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “3+1.”
(*9)This is enabled when SURROUND MIX SWITCH is set to “On” and SURROUND MIX
MODE is set to “3+2+1.”
(*10)This is enabled when SURROUND MIX SWITCH is set to “Off.”
(*12)This is enabled when TRACK DIRECT OUT is set to “On.”
● Effect Parameter
❍ Basic Address
+———————————————————————————————————————————————————————————————————————————+
| Start | |
| address | Contents and remarks |
|=============+=========+===================================================|
| 05 00 00 00 | 0aaaaaaa| EFFECTOR — 1 Algorithm aaaaaaabbbbbbb = |
| 05 00 00 01#| 0bbbbbbb| ( 0:Reverb *1) |
| | | 1:Delay |
| | | 2:Stereo Delay Chorus |
| | | 3:Stereo Pitch Shifter Delay |
| | | 4:Vocoder |
| | | 5:2ch RSS |
| | | 6:Delay RSS |
| | | 7:Chorus RSS |
| | | 8:Guitar Multi 1 |
| | | 9:Guitar Multi 2 |
| | | 10:Guitar Multi 3 |
| | | 11:Vocal Multi |
| | | 12:Rotary |
| | | 13:Guitar Amp Modeling |
| | | 14:Stereo Phaser |
| | | 15:Stereo Flanger |
| | | 16:Dual Comp/Limiter |
| | | (17:Gate Reverb *1) |
| | | 18:Multi Tap Delay |
| | | 19:Stereo Multi |
| | | 20:Reverb 2 |
| | | 21:Space Chorus |
| | | 22:Lo—Fi Processor |
| | | 23:4Band Parametric Equalizer |
| | | 24:10Band Graphic Equalizer |
| | | 25:Hum Canceler |
| | | 26:Vocal Canceler |
| | | (27:Voice Transformer *1,*2) |
| | | (28:Vocoder 2 *1,*2) |
| | | 29:Mic Modeling |
| | | 30:3Band Isolator |
| | | 31:Tape Echo 201 |
| | | 32:Analog Flanger |
| | | 33:Analog Phaser |
| | | 34:Speaker Modeling |
| | | (35:Mastering Tool Kit *1,*2) |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 02 | 20 — 7F | EFFECTOR — 1 Name —1 (ASCII) |
: : :
| 05 00 00 0D | 20 — 7F | EFFECTOR — 1 Name —12 |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 0E | 00 — 7F | EFFECTOR — 1 Parameter Area (See Below) |
: : :
| 05 00 7F 7F | 00 — 7F | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 01 00 00 | 00 — | EFFECTOR — 2 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 01 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 02 00 00 | 00 — | EFFECTOR — 3 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 02 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 03 00 00 | 00 — | EFFECTOR — 4 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 03 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 04 00 00 | 00 — | EFFECTOR — 5 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 04 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 05 00 00 | 00 — | EFFECTOR — 6 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 05 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 06 00 00 | 00 — | EFFECTOR — 7 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 06 7F 7F | 00 — | |
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 07 00 00 | 00 — | EFFECTOR — 8 |
| | | (similar to 05 00 00 00 — 05 00 7F 7F) |
: : :
| 05 07 7F 7F | 00 — | |
+———————————————————————————————————————————————————————————————————————————+
(*1) Cannot select “0:Reverb,” “17:Gate Reverb,” “27:Voice Transformer,”28:Vocoder2,” or
“35:Mastering Tool Kit” on Effect 2,4,6, and 8.
(*2) If “27:Voice Transformer,” “28:Vocoder2,” or “35:Mastering Tool Kit” is selected at
Effect 1,3,5, or 7, Effect 2,4,6, or 8 is invalid.
* A meaning of the parameter area changes correspond with the top of parameter of Effect
Algorithm. See the following tables. The address shows at Effect 1.
* If select the different Algorithm type from current one, all parameters will be copied from
the preset patch data which selected Algorithm
❍ Algorithm 0 Reverb (FX1,FX3,FX5,FX7)
+———————————————————————————————————————————————————————————————————————————+
| 05 00 00 0E | 0aaaaaaa| EQ SW |
| 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 10 | 0aaaaaaa| EQ: Low EQ Type |
| 05 00 00 11#| 0bbbbbbb| 0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 12 | 0aaaaaaa| EQ: Low EQ Gain |
| 05 00 00 13#| 0bbbbbbb| —12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 14 | 0aaaaaaa| EQ: Low EQ Frequency |
| 05 00 00 15#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 16 | 0aaaaaaa| EQ: Low EQ Q |
| 05 00 00 17#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 18 | 0aaaaaaa| EQ: Mid EQ Gain |
| 05 00 00 19#| 0bbbbbbb| —12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency |
| 05 00 00 1B#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1C | 0aaaaaaa| EQ: Mid EQ Q |
| 05 00 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 1E | 0aaaaaaa| EQ: High EQ Type |
| 05 00 00 1F#| 0bbbbbbb| 0,1 = Shelving, Peaking|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 20 | 0aaaaaaa| EQ: High EQ Gain |
| 05 00 00 21#| 0bbbbbbb| —12,,,12dB|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency |
| 05 00 00 23#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 24 | 0aaaaaaa| EQ: High EQ Q |
| 05 00 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 26 | 0aaaaaaa| EQ: Out Level |
| 05 00 00 27#| 0bbbbbbb| 0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 28 | 0aaaaaaa| Reverb: Room Size |
| 05 00 00 29#| 0bbbbbbb| 5,,,40m|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2A | 0aaaaaaa| Reverb: Reverb Time |
| 05 00 00 2B#| 0bbbbbbb| 1,,,320 = 0.1,,,32.0s|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2C | 0aaaaaaa| Reverb: Pre Delay |
| 05 00 00 2D#| 0bbbbbbb| 0,,,200 = 0,,,200ms|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 2E | 0aaaaaaa| Reverb: Diffusion |
| 05 00 00 2F#| 0bbbbbbb| 0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 30 | 0aaaaaaa| Reverb: Density |
| 05 00 00 31#| 0bbbbbbb| 0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 32 | 0aaaaaaa| Reverb: Early Reflection Level |
| 05 00 00 33#| 0bbbbbbb| 0,,,100|
|—————————————+—————————+———————————————————————————————————————————————————|
| 05 00 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency |
| 05 00 00 35#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz|
2480v2_app_e.book 107 ページ ２００６年２月７日 火曜日 午後３時３３分