Sequential Split-Eight - Double Mode; Wheels and Footswitch; Programmable Parameters

To Link Channel B and the split point to Channel A:
1. With Split on, but Link off, select the desired programs.
2. Set the split point as above.
3. Switch Link on.
k. Switch Record on. (This will clear any edits currently made to
the Channel B program, and if Channel B was selected, will also
switch back to Channel A. Any edits in Channel A are not lost.)
5. Enter two digits for desired destination program in Channel A.
6. Record mode will switch off automatically.
DOUBLE MODE
When Double mode is on, the four voices each in Channels A and B
play in parallel. In other words each key plays one voice from both
channels. (Since there are four voices per channel, you can play a
maximum of four keys.)
If in Double mode you select the same program for both channels,
then two voices with the same sound are asigned to one key. This
thickens the sound but does not change the timbre.
To link a specific Channel B program to Channel A selections
1. With Double on but Link off, select desired programs.
2. Switch Link on.
3. Switch Record on. (If Channel B was selected, Channel A will be
selected automatically.)
k. Enter two digits for desired destination program in Channel A.
5. Record goes off.
WHEELS AND FOOTSWITCH
The wheels are monophonic, that is, they affect all voices to the
same degree. The effect of the Pitch wheel is always the same. The
effect of the Mod (modulation) wheel depends on the selected
program. When they are not in use, be sure to return them to their
rest positions.
In Split mode it is useful to be able to disable the effect of the
wheels on either side. To switch the wheels on and off:
1. Select desired channel.
2. Hold down Record, and press the LFO Parameter Group switch.
The effect of the footswitch is programmed. For more information,
continue reading.
CM608A
PROGRAMMABLE PARAMETERS
While playing with the factory programs, you may have noticed the
response of the keyboard, wheels, and footswitch changing. This is
because by selecting a program you indirectly control over thirty
parameters which define the performance controls as well as the
sound produced by the synthesizer voices.
For example, you may have noticed that some programs assign all
vojces to the lowest key played. This is the Unison parameter. Also,
the glide parameter determines whether the keyboard plays discrete
pitches or slews the notes. The program, may or may not cause the
footswitch to provide an accent, or temporarily change to a "sub
program.*1 The program may switch on the chorus, or Poly-Mod (which
cuts-off the Channel B audio output).
All of the programmable parameters are explained in the next
section.
CM608A