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Sequential Split-Eight - Parameters and Programming; Editing and Programming Guide; Parameter Selection Methods; Adjusting Parameter Values

Sequential Split-Eight
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PARAMETERS
EDITING
AND
PROGRAMMING
Note:
Before
editing
programs
it
may
be
a
good
idea
to
save
the
factory
programs
using
the
cassette
interface.
To
adjust
(edit)
program
parameters,
first
switch
Preset
off.
(If
Link
was
on,
it
will
also
switch
off.)
Selecting
Parameters
There
are
30
program
parameters
arranged
in
a
k x
8
matrix.
(Selection
032
is
the
MIDI
Channel,
and
one
location
is
unused.)
In
either
order,
select
the
row
using
the
Parameter
Group
switches,
and
select
the
column
using
the
PROGRAM
SELECT
switches.
For
example,
if
the
FILTER
Parameter
Group
switch
is
lit
and
PROGRAM
SELECT
5
is
lit,
then
the
Filter
Decay
parameter
is
selected.
Adjusting
Parameter
Values
When
Preset
is
off,
the
number
in
the
display
is
the
value
ot
the
parameter
which
is
currently
selected
(by
the
parameter
matrix
switches).
To
adjust the
parameter
value,
turn
the
Parameter
Value
knob.
Note:
The
Filter
Cutoff
parameter
ranges
to
127,
but
the
display
only
shows
two
digits.
Therefore
when
adjusting
this
parameter
above
99
(100
to
127),
the
1
is
not
displayed.
Cancelling
Edits:
. .
to
cancel
all
edit
changes
and
restore the
original
program,
switch
Preset
on
and
re-select
the
program.
Recording
Edited
Programs
After
editing
a program
as
desired,
1.
Switch
Preset
on.
2.
Switch
Record
on.
It
blinks.
3.
Enter
two
digits
for
the
desired
program
destination.
The
control
panel
stops
blinking,
'indicating
recording
is
completed.
Note:
If
you
made
an
error
with your
first
digit
entry,
you
can
switch
Record
off
to
abort.
But
when
you
press
the
second
digit,
the
edited
program
is
recorded
in
that location (and
erases
the
previous
program).
CM60SA
Copying
Programs
.
To
copy
a
program,
select
the
desired
program,
switch
Record
on,
then
select the
desired
destination.
As
a
starting
point
for
creating
new
sounds
it is
often
helpful
to
clear
all
program
parameters
to
the
minimum
required
to
produce
a
tone.
This
can
be
done
easily
by
holding
down
Record
and
pressing
PROGRAM
SELECT
1.
This
sets
all
parameters
to
00,
except
as
follows:
Coarse:
2^
Sawtooth
wave:
1
(on)
Cutoff:
127
KBD
Track:
2
(full)
Amp
Sustain:
15
Voice
Volume:
15
If
desired,
this
basic
patch
can
be
recorded
as
a
program
from
which
many
editing*departures
can
be
made.
PERFORMANCE
PARAMETERS
Glide
Sy£2!l?!fc«
the
Keyboard.
As
the
glide
value
increases
the
voices
do
not
step
instantly
between
pitches,
nstead,
they
begm
to
slew.
The
effect
can
be
made
subtle
or
quite
extreme.
When
Unison
is
off,
polyphonic
glide
results,
which
is
not
easy
to
preset,
but
can
make
an
interesting
effect.
Chorus
^SSSfi^U^
rate
and
depth.
It
is
programmed
on
or
off
If
in
Split
or
Double
modes, and
one
channel
programs
the
chorus
on,
this
will
overide
the
other
channel
programming
it
off.
Unison
^X™«~<
that
some
factory
programs
only
allow
you
to
olav
one
note
at
a
time.
This
is
because
the
Unison
parameter
s
programmed
on?
When
Unison
is
on,
all
eight
voices
(or
four
vo.ces
,1
uTspTlt
or
Double
modes),
are played
only
by
the
lowest
key.
Thw
monophonic,
rather
than
polyphonic,
voice
ass.gnment
is
used
to
produce a
richer
sound.
In
addition,
if
Unison
is
on,
the
keyboard
changes
from
m"»tiple-
tri«er
to
single-trigger
mode.
In
this
mode
the
"envelope"
wh.ch
sha%s
each
note
is
not
necessarily
triggered
with
each
new
keystroke
CM608A

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