EasyManua.ls Logo

Sony MDM-X4 - Mix Write Recording: Bounce Recording

Sony MDM-X4
194 pages
Print Icon
To Next Page IconTo Next Page
To Next Page IconTo Next Page
To Previous Page IconTo Previous Page
To Previous Page IconTo Previous Page
Loading...
29
EN
Recording
3 Set the ASSIGN switches and PAN knobs for
channels 1~4 to direct the sound to track 4.
(Set the playback sounds input from the recorder
to channels 1~4 to be recorded on track 4.)
4 Prepare the monitor.
• Press the monitor track key corresponding to
the group path selected in step 3 (in this case,
press 3-4).
• Turn the MONITOR knob and the TRACK
knob(s) to adjust the sound to a level that can be
monitored.
5 Press ( PLAY.
Playback begins.
6 Use the faders for channels 1~4 to adjust the
record balance of the sound to be recorded on
track 4.
You may also need to adjust the monitor balance
at this time.
Press the p STOP key after making the necessary
adjustments.
7 Turn the jog dial to locate the point on the counter
where the recording will begin.
8 Press the REC SELECT key for track 4.
This makes it possible to record on track 4.
Recording
1 Press REC.
The unit switches to record pause mode.
2 Press ( PLAY.
Recording begins.
Play together with the previously recorded
performance.
3 When you’ve finished playing, press p STOP.
Checking the Recording
1 Turn the jog dial to set the counter to the point
you want to hear.
2 Press CUE to prepare for monitoring.
Adjust the monitor volume using the respective
TRACK knobs and the MONITOR knob.
3 Press ( PLAY.
Playback begins.
Make sure the CLIP indicator on the level meter
does not light.
EXAMPLE 2: Recording the sound from
tracks 1~4 to tracks 1 and 2 (Bounce
Recording)
Recording the previously recorded sound from tracks
1~4 in a stereo mix to tracks 1 and 2.
This allows you to use tracks 3 and 4 as blank tracks for
recording other parts.
ASSIGN ASSIGN ASSIGN ASSIGN
PANPANPANPAN
1 2 1 2 1 2 1 2
L R L R L R L R
3 43 43 43 4
Press down
(continued)
b
A
B
C
D
A B C D
The previously recorded contents of tracks 3 and 4
remain, but the contents of tracks 1~4 have been
recorded together in a stereo mix on tracks 1 and 2.
Turn all the
way toward
“R”.

Table of Contents