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Highlights the use of cost-effective, high-quality components in SVS subwoofers.
Describes the optimized, rigid, and compact "cube-ular" enclosure for durability and sound.
Details the stable downward firing woofer design and compliant rubber feet for placement.
Explains the custom, flared port designs for exceptionally low noise and distortion.
Mentions the durable finish and elegant base that allows the subwoofer to blend into decor.
Discusses the Canadian-built amps with high fit, finish, features, and power for performance.
Instructions for safely unpacking the subwoofer and saving shipping materials.
Guidance on positioning the subwoofer, recommending corners for best bass response.
Explains how to connect the subwoofer to a receiver using RCA cables.
Details how to connect two subwoofers using a Y-cable splitter from the receiver.
Describes how to select between "ON" (always on) or "AUTO ON" power modes.
Advises on setting speaker sizes ("Small" vs. "Large") in the receiver for proper bass management.
Guides the user on using receiver test tones and an SPL meter for accurate calibration.
Provides recommendations for setting the subwoofer's volume relative to other channels.
Explains the purpose of the phase control for aligning bass wave forms from multiple sources.
How to use the gain control in conjunction with the receiver's output for calibration.
Explains the crossover knob's function, especially for stereo systems without receiver crossover.
Describes using line input for connection and line output for sending filtered sound to another amp.
Details the "Auto On" feature that powers the sub based on bass signals.
How to enable or disable the sub's internal crossover, recommended for DD/DTS systems.
Mentions high-level inputs for systems without low-level outputs.
Instructions on the main power switch, AC connection, and avoiding convenience outlets.
Information on user-replaceable fuses and contacting SVS if needed.
Specific scenes from "The Iron Giant" for demonstrating serious bass and low-frequency peaks.
A specific scene from "Antz" for showcasing loud bass above 30 Hz.
Selected scenes from "The Matrix" featuring subtle and not-so-subtle shoot-'em-up bass blasts.
Scenes from "Das Boot" known for compelling war audio and bass approaching 20 Hz.
Scenes from "Apollo 13" offering subtle but revealing bass for demonstration.
Specific scenes from "Titanic" that provide significant rumbling and deep bass effects.
Scenes from "Blade" featuring deep bass, suitable for demonstrating low-frequency impact.
Scenes from "Aliens" that showcase impressive bass from intro to final scene.
Scenes from "Apocalypse Now" chosen for their potential to challenge your subwoofer.
Scenes from "Contact" that include bass elements for testing.
Scenes from "Dark City" selected for their bass content.
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