Modulation matrix
e#a$&$-&$5#&*"%#8$&LA#2$L&K@\-)&8-)$%-7H&$5#%#[2&(72-&(&8-F.7#$#&F-*@7(R-)&F($%"a&")&$5#&DE0<[2&
#)/")#P&15"2&8()&K#&8-)$%-77#*&K3&+XAX&44&-%&'"(&$5#&.($85&F#)@P&+!6&+XAX&8()&(72-&K#&@2#*&C-%&
?`f&F-*@7(R-)P&k2")/&$5#&F($%"a&"$[2&.-22"K7#&$-&2#)*&(77&F-*@7(R-)&2-@%8#2&$-&(77&F-*@7(R-)&
*#2R)(R-)2H&I"$5&w#a"K7#&F-*@7(R-)&*#.$5P&j@$&(72-&"$[2&.-22"K7#&$-&5('#&)#/(R'#&F-*@7(R-)H&$-&
")'#%$&$5#&?`f&I('#C-%F2P&f)73&."$85&()*&8@$-Z&(%#&)-$&F-*@7($#*&K3&+!6P&15"2&"2&K#8(@2#&."$85&"2
)-%F(773&F-*@7($#*&K3&+XAX[2&."$85&K#)*H&()*&$5#%#[2&-)73&(&2")/7#&2$#%#-&_7$#%&($&$5#&#)*&-C&$5#&
2"/)(7&.($5P&
M72-&2##&$5#&F($%"a&2#8R-)&")&$5#&L!($85&+-*@7(R-)&U#u)/2N&85(.$#%&C-%&F-%#&")C-%F(R-)P
MIDI clock synchronization
15"2&(77-I2&$5#&?`f&C%#t@#)83&$-&K#&23)85%-)"O#*&$-&$5#&+XAX&K#($&87-8BP&+@7R.7"8(R-)&()*&
*"'"2"-)&-C&$5"2&87-8B&"2&(72-&.-22"K7#P&k2#&$5#&.($85&F#)@&()*&#)(K7#&L?`f<&23)8N&-%&L?`f:&23)8NP&
X)&$5"2&F-*#&$5#&F@7R.7"#%&()*&*"'"*#%&2#u)/&F(3&K#&(88#22#*&I"$5&$5#&`%#t&B)-K2
,)-K&8-)$%-72b
`%#t&<b ?`f<&87-8B&F@7R.7"#%
U5"S&x&`%#t&<b ?`f<&87-8B&*"'"*#%
`%#t&:b& ?`f:&87-8B&F@7R.7"#%
U5"S&x&`%#t&:b& ?`f:&87-8B&*"'"*#%
27
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