Audio Input
15#%#&"2&)-&(@*"-&").@$&-)&$5#&DE0<&"$2#7CH&K@$&"$&8()&%#8-%*&(@*"-&@2")/&kUj&87(22&8-F.7"()$&(@*"-&
")$#%C(8#2&()*&*-)/7#2P
4-)_/@%(R-)
1-&#)$#%&$5#&U(F.7#&8-)_/@%(R-)H&.%#22&LU5"SN&()*&$5#)&LU(F.7#NP&15#&8-)_/@%(R-)&.(%(F#$#%2&
8()&K#&2#$&I"$5&$5#&2#7#8$&B)-KP&?#('#&$5"2&8-)_/@%(R-)2&28%##)&I"$5&L628(.#NP&X)&$5#&$-.&3-@&8()&
2##&$5#&*#$#8$#*&(@*"-&")$#%C(8#&h&2-@)*&8(%*P&A#C(@7$&"$&I"77&%#(*b
“U-@)*&8(%*&oe-)#&C-@)*qNP&V5#)&-)#&"2&.7@//#*&")&"$&25-@7*&*#$#8$&"$&I"$5")&(&2#8-)*&-%&$I-b
“U-@)*&8(%*&oj"Oj(O&M@*"-&`%-K)"8($-%qN•
Looping rec
V"$5&L7--.")/&%#8N&$@%)#*&-ZH&$5#&%#8-%*")/&-C&$5#&2(F.7#&I"77&K#&(&-)#&25-$&%#8-%*")/P&1@%)&
L7--.")/&%#8N&-)&$-&*-&8-)R)@-@2&%#8-%*")/h%#(70RF#&.%-8#22")/P
Record start mode
d-@&8()&$@%)&-)&$5#&(K"7"$3&$-&%#8-%*&5#%#&()*&2#7#8$&$5#&2$(%$&.-")$&C-%&%#8-%*")/P&15#&C-77-I")/&
2$(%$&.-")$2&(%#&('("7(K7#b
• \I++)-$">&=<S&-c V5#)&.(@2")/&$5#&%#8-%*")/H&%#8-%*")/&I"77&2$(%$&C%-F&$5($&2(F#&.-")$&
I5#)&(8R'($#*&(/(")
• .<>)+c E#8-%*")/&2$(%$2&C%-F&$5#&2(F.7#&.-2"R-)H&I5#)&(8R'($#*
• 1$*+$c E#8-%*")/&2$(%$2&C%-F&;P;2H&I5#)&(8R'($#*
Rec level
d-@&8()&(*J@2$&$5#&%#8-%*")/&7#'#7&I"$5&$5"2&27"*#%&5#%#P&15"2&/-#2&C%-F&;P;&@.&$-&C(8$-%&:P;P
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