Load sample: convert to 44.1
1@%)&$5"2&-)&$-&C-%8#&$5#&DE0<&$-&8-)'#%$&#'#%3&"F.-%$#*&2(F.7#&$-&)(R'#&GGP<&BTO&2(F.7#&%($#P&
?-(*#*&2(F.7#2&$5($&(%#&(7%#(*3&GGP<&BTO&(%#&)-$&F-*"_#*P
MIDI CC updates visuals
U")8#&+XAX&44[2&8()&5(..#)&(&7-$&"C&3-@[%#&2#t@#)8")/&$5#&DE0<&'"(&+XAXP&X$&F(3&K#&8-)'#)"#)$&$-&
$@%)&$5#&'"2@(7&@.*($#2&-ZP&1@%)&"$&-)&"C&3-@&I()$&$-&B##.&$%(8B&-C&$5#&44&(8R'"$3P&+(3&K#&@2#C @7&C-%&
*"(/)-2R82P
Patch switch -> stop grains
V5#)&2I"$85")/&.($85#2&/%(")2&(%#&2$-..#*P&47"8B2&F(3&K#&5#(%*P&XC&3-@&$@%)&$5"2&-ZH&/%(")2&I"77&
B##.&.7(3")/b&)-&87"8B2H&K@$&$5#%#&F(3&K#&-7*h7-)/&/%(")2&")&-$5#%&.(%$2&-C&$5#&2(F.7#P&15"2&"2&)"8#&
C-%&2F--$5&$%()2"R-)2&C%-F&.($85&$-&.($85P
Pitchbend range
!"$85K#)*&%()/#&")&2#F"$-)#2P&e-$#&$5($&")&.%#'"-@2&_%FI(%#2&9]{:Pn>H&$5#&+!6&$-//7#&C-%8#*&$5#&
%()/#&$-&GY&2#F"$-)#2H&I5"85&"2&"*#(7&C-%&$5#&E-7"&U#(K-(%*H&K@$&-$5#%&+!6&8-)$%-72&F(3&K#&F-%#&
2@"$#*&$-&2F(77#%&%()/#2P
DSP Metering
1-//7#2&(&AU!&.%-8#22")/&K(%&")&$5#&F(")&*"2.7(3P&`@77&I"*$5&F#()2&<;;•&4!k&@2(/#P&M@*"-&
*%-.-@$2&I"77&-88@%&(7%#(*3&(%-@)*&r;•P&4()&K#&@2#*&$-&2##&5-I&$5#&DE0<&%#(8$2&$-&7(%/#%&2.%(3H&
K"//#%&2(F.7#2H&7(%/#%&/%(")2H&5"/5#%&*#)2"$3H&()*&5"/5#%&.-7 3.5-)3P
MPE
1@%)&-)&+!6&2@..-%$P &15"2&#Z#8R'#73&2@.#%2#*#2&+XAX&85())#7&2#7#8R-)P&15"2&I"77&$@%)&-)&()&
#)-%F-@2&."$85&K#)*&%()/#H&I5"85&"2&)-$&%#8-FF#)*#*&C-%&)-%F(7&+XAX&").@$&*#'"8#2P
File selector: Sound previews
s#%3&K"/&2(F.7#&_7#2&8()&8(@2#&$5#&_7#&2#7#8$-%&$-&27-I&*-I)&$-&(&8%(I7P&15"2 &"2&K#8(@2#&$5#&
2(F.7#2&(%#&7-(*#*&")&()*&$5#)&.7(
3#*H&()*&$5#&8-
*#&I(2&)-$&-.RF"O
#*&3#$P&X)&<P:P<&I#&(**#*&(&
2I"$85&$-&$@%)&$5#F&-ZP&15"2&"2&-Z&K3&*#C(@7$P
Incremental patch saves
U('#&.($85#2&7"B#&L!($85NH&L!($850<NH&L!($850:NH&#$8P&15"2&"2&@2#C@7&$-&.%#2#%'#&")$#%F#*"($#&2$#.2&")&
3-@%&I-%BP&k2#&.($85&t@"8B&2('#&9U5"SxU('#>&$-&F(B#&@2#&-C&$5"2&-.R-)P&XC&3-@%&.($85&"2&)#I&9)-$&
3#$&2('#*>H&$5#)&3-@[77&_%2$&)##*&$-&2('#&"$&9J@2$&$5#&U('#&K@\-)H&I"$5-@$&U5"S>&F()@(773P
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