Patch FX settings
FX type
15#&DE0<&5(2&2#'#%(7&K@"7$0")&#Z#8$2b
• A#7(3
• A"2$-%R-)
• E#*@8#%
• E#'#%K
f)73&-)#&-C&$5#2#&8()&K#&(8R'#&($&(&RF#P&e-$#&$5($&$5#&2@K0-28"77($-%&()*&_7$#%&(%#&)-$&")&$5"2&7"2$P&
15#3&8()&K#&(8R'#&2"F@7$()#-@273P
FX mapping
15#%#&(%#&:&`g&B)-K2&-)&$5#&DE0<b&`g<&()*&`g:P&d-@&8()&F(.&$5#2#&$-&$5#&#Z#8$2H&K@$&(72-&$-&$5#&
2@K0-28"77($-%&()*&$5#&_7$#%P&U##&$5#&$(K7#&K#7-I&C-%&I5"85&C@)8R -)2&`g<H:&%#.%#2#)$&I5#)&()&
#Z#8$&"2&2#7#8$#*b
6Z#8$ `g&< `g&:
_7$#%&9(77&F-*#2> `%#t@#)83&o;TOPP:;BTOq E#2-)()8#
U@K&-28 `%#t&o0:&-8$('#2&PP&C@)*(F#)$(7q MF.7"$@*#
A#7(3 1"F# `##*K(8B
A"2$-%R-) `"7$#%&8@$-Z&C%#t@#)83 A"2$-%R-)
E#*@8#% j"$&%#*@8R-) U(F.7#&%($#&E#*@8R-)
E#'#%K 1"F# MF-@)$
e-$#b&"C&3-@&5('#&F(..#*&()&#Z#8$&9)-$&$5#&_7$#%>H&3-@&25-@7*&(72-&85()/#&3-@%&`g&$3.#&$-&$5"2&
2(F#&#Z#8$P&f$5#%I"2#H&$5#&B)-K2&I"77&5('#&)-&#Z#8$&-)&$5#&2-@)*W&
Filter mode
d-@&2#7#8$&$5#&_7$#%[2&F-*#&5#%#b&?!`&9?-I0.(22>H&j!`&9j()*0.(22>H &T !`&9T" /50.(22>H &-%&e fe6P
Sub-oscillator
15"2&$-//7#2&$5#&2@K0-28"77($-%&-)&()*&-ZP&X$&8()&K#&@2#*&$-&(**&()&#a$%(&C@)*(F#)$(7&$-&3-@%&'-"8#P
15#&2@K0-28"77($-%&"2&.-73.5-)"8&I"$5&$5#&8-%%#8$&`g&F(..")/&3-@&8()&8-)$%-7&C%#t@#)83&9C%-F&0:&
-8$('#2&$-&0;>&()*&(F.7"$@*#&I"$5&`g<H&()*&`g:H&%#2.#8R'#73P
Sub-osc balance
V5#)&.7(3")/&.-73.5-)"8(773H&@2")/&$5#&2@K0-28"77($-%&F(3&8%#($#&(&85(-R8&#Z#8$P&d-@&8()&(*J@2$&
$5"2&K(7()8#&$-&(&7-I#%&)@FK#%&$-&C-8@2&F-%#&-)&$5#&K(22&2"*#&-C&$5")/2P&X$[2&(72-&.-22"K7#&$-&C-8@2&
F-%#&-)&$5#&$%#K7#&K3&")8%#(2")/&$5"2&)@FK#%P
51