Patch Modulation Settings
LFO2->Delay sync
1-//7#&$5"2&-)&$5#&#)(K7#&$5#&?`f:&.#%"-*&$-&*#$#%F")#&$5#&*#7(3&.#%"-*P
Cubic LFO amount curve
1-//7#&K#$I##)&8@K"8&()*&7")#(%&8@%'#&C-%&$5#&?`f&(F-@)$&B)-K2P&4@K"8&F-*#&"2&@2#C@7&C-%&'"K%($-H&
C-%&")2$()8#P&15"2&(72-&(Z#8$2&$5#&*($(&#)$%3&")&$5#&F-*@7(R-)&F($%"aP
LFO 1 or 2 Sync
V5#)&$5"2&2#u)/&"2&LfeN&$5#&?`f&I"77&K#&23)8#*&$-&$5#&+XAX&K#($&87-8BH&I"$5&$5#&2#7#8$#*&RF#&
*"'"2"-)P&15"2&2#u)/&8()&K#&$@%)#*&-)&C-%&#(85&")*"'"*@(7&?`fP
LFO 1 or 2 Key Sync
6(85&?`f&8()&")*"'"*@(773&K#&23)8#*&$-&(&'-"8#&$%"//#%h)-$#0-)&#'#)$P&V5#)&$5"2&C#($@%#&"2&LfeNH&
$5#&?`f&I('#&I"77&%#2#$&$-&$5#&K#/"))")/&-C&$5#&I('#C-%F&-)&#'#%3&'-"8#&$%"/ /#%h)-$#0-)&#'#)$P
LFO 1 or 2 max freq
15"2&2#$2&$5#&F(a"F@F&C%#t@#)83&-C&?`f<&()*&?`f:H&%#2.#8R'#73P&E()/#&2$(%$2&($&;P;<&TO&()*&/-#2&
@.&$-&<;;&TOP&15"2&8()&K#&@2#*&$-&/(")&F-%#&.%#8"2"-)&")&$5#&7-I&%()/#2P&`-%&")2$()8#H&"C&3-@&5('#&
()&?`f&.#%"-*&-C&()&5-@%&()*&I()$&$-&2#$&"$&$-&m<&F")@$#2P&15#&*#C(@7$&"2&c;&TOP
Mod Wheel -> LFO 1 or 2
6)(K7#&$5"2&$-&(F.7"C3&$5#&#)R%#&+fA&F($%"a&%-I&9?`f<&-%&?`f:>&@2")/&3-@%&+XAX&8-)$%-77#%[2&F-*&
I5##7P&e-$#&$5($&$5#&*#C(@7$&8@$-Z&C@)8R-)&-C&$5#&F-*&I5##7&")&#(%7"#%&'#%2"-)2&"2&)-I&/-)#W
LFO1->2 Cross Modulation
15"2&"2&$5#&(F-@)$&-C&8%-22&F-*@7(R-)&K#$I##)&?`f<&()*&?`f:P&?`f<&F-*@7($#2&$5#&C%#t@#)83&-C&
?`f:P
LFO 1 or 2 Quantization
15"2&t@()RO#2&$5#&.5(2#&-C&$5#&%#2.#8R'#&?`f&@)"$P&<&*#)-$#2&f``H&<;:G&*#)-$#2&F(a"F@FP&
+(a"F@F&.5(2#&t@()RO(R-)&I"77&7"F"$&$5#&-@$.@$&-C&$5#&?`f&@)"$&$-&J@2$&:&2$($#2P
52