Stereo sources are generally keyboards outputs, pre-mixers, etc. so the signal deserves few EQ adjustments. For
this reason we choose for the Typhoon stereo channels a four band fixed EQ.
HIGH gain
It's a shelving filter giving the user a
continuous adjustment of boost and
cut from +15dB to -15dB @ 12kHz.
MID-L
It's a peak/dip filter giving the user a
continuous adjustment of boost and
cut from +15dB to -15dB @ 400Hz.
EQ LED
This useful LED will allow the sound
engineer to immediately understand
if the channel has been equalised
or not.
MID-H
It's a peak/dip filter giving the user a contin-
uous adjustment of boost and cut from +15dB
to -15dB @ 3kHz.
LOW
It's a shelving filter giving the user a contin-
uous adjustment of boost and cut from +15dB
to -15dB @ 80Hz.
EQ switch
This switch allows the user to use the EQ.
Section in signal path. Of course it can be
used too to make A/B comparisons between
equalized signal and not equalized signal to
control the . It can be used too to apply equ-
alization at a certain point of the show, exclud-
ing it when it's not necessary.
17
[ Typhoon Stereo Input Channels ]
ON
OFF
EQ
HIGH
12KHz
+15-15
0dB
EQ
MID-H
3KHz
+15-15
0dB
MID-L
400Hz
+15-15
0dB
LOW
80Hz
+15-15
0dB