At LTO we thought that you deserve a very versatile auxiliary section. So we provided you the same eight discrete
auxiliary sends of mono channels, with independent level controls and several pre-/post-fader switches. Generally
pre-fader is used for monitor purposes, allowing the sound engineer to set a level that's independent by channel fader
AUX 1
The AUX 1 send level can be
adjusted from - up to +10dB.
AUX 2
The AUX 2 send level can be
adjusted from - up to +10dB.
AUX3&4
TheAUX3&4send level can
be individually adjusted from -
up to +10dB.
AUX 5-8
The AUX sends 5 to 8 level can
be individually adjusted from -
up to +10dB.
PRE/POST switch
This switch sets pre-/post-fader the Aux 1 signal.
PRE/POST switch
This switch sets pre-/post-fader the Aux 2 signal.
PRE/POST switch
Auxiliary sends3&4share the same pre-/post-
fader switch.
PRE/POST switch
Auxiliary sends 5 to 8 share the same pre-/post-
fader switch.
18
[ Typhoon Stereo Input Channels ]
setting. In this way the control will be much more accurate and the sound engineer won't risk unwanted feedback
when, for instance, when raising the level of the lead singer. Post-fader sends are better suited for FX sends control.
By doing so, for example, the sound engineers will raises the fader level of the lead singer the effect send as well,
maintaining the same sound. Please note that the channel Mute switch affects these controls.
AUX1
AUX5
AUX2
AUX6
AUX3
AUX7
AUX4
AUX8
PRE
PRE
PRE
PRE
POST
POST
POST
POST
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB