The assign section is useful to manage the output assignment to several outputs, and also to PFL, SOLO or MUTE
a channel signal.
OUTPUT Assign 1/2 3/4 5/6 7/8 L/R
BAL
This pot allows the sound engineer to
manage the balance of a stereo source
or to place the channel mono signal in a
stereo front from hard left to hard right.
Of course you can use it to "move"also
the channel signal in stereo front to create
spatial effects.
MUTE
You can use the MUTE switch to mute
the channel signal when you don't need
its sound. When this large switch is en-
gaged, it's lit.
Fader
This long coarse fader will give to the
sound engineer the ability to accurately
manage the channel output level from
- up to +10dB.
M1, M2, M3 & M4
These switches are very useful to manage
the sound in a fast and reliable way. You
can use M1, M2, M3 and M4 to program
four MUTE memories. This feature is im-
portant to give an immediate control over
some channels that are not used all show
long (e.g. some instruments played just in
some songs, the voice of the presenter,
etc.) and to immediately recall al the mixers
status.
-20 & CLIP LEDs
These LEDs are very useful to control the
behaviour of the channel signal path after
the insert point, the EQ section and the
fader. So you could notice the fader CLIP
LED turned on while the preamp CLIP is
not lit, or vice-versa. In both cases the
presence of two CLIP LEDs will help the
sound engineer to immediately detect
where the problem is.
PFL/Solo switch
This switch allows the sound engineer to
control the channel signal. The PFL (pre-
fade listen) signal is pre-fader and stereo
for stereo inputs and mono for mono inputs.
Solo stands for SIP (Solo In Place), the
signal is post-fader, placed in stereo front
and it "opens" all the circuits of related
effect. When this large switch is engaged,
it's illuminated to give you an immediate
visual control of which, and how many
channels are in solo.
When the MASTER SOLO switch is en-
gaged this switch acts in SOLO mode and
mutes all other channels.
19
[ Typhoon Stereo Input Channels ]
These switches allow the sound engineer
to address the signal to the selected audio
path. The odd/even numbered switches
are used to send the signal to sub-groups
while L/R switch sends the signal directly
to Main Mix output. Please check the
"technique & troubleshooting" section of
this owner's manual for further details
about the way to use those switches.
MUTE
PFL/SOLOPFL/SOLO
ON
OFF
GR1-GR2
M1
GR3-GR4
M2
GR5-GR6
M3
GR7-GR8
M4
MUTE
L/R
CLIP
-20
CH 41/42CH 41/42
10
5
5
10
20
30
40
50
60
-
0
8
PAN
centre
Right
Left