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General| Type | Analog Mixing Console |
|---|---|
| Bus Outputs | 8 |
| Direct Outputs | 16 |
| Talkback | Yes |
| Phantom Power | Yes |
| High Pass Filter | Yes |
| Phase Reverse | Yes |
| Oscillator | Yes |
| Microphone Preamps | 16 |
| Faders | 16 |
| Returns | 4 |
| Insert Points | 16 |
Guide on navigating the manual and understanding its structure.
Instructions for safely removing the console from its packaging.
Critical safety precautions to prevent electrical shock and hazards.
Details on the power supply and fuse replacement.
Guidance on seeking professional help for technical issues.
Requirements for adequate airflow to prevent overheating.
Information about the console's front panel material and care.
Steps and checks required before powering on the console.
Description of the console's input and output connection types.
Explanation of connector pin assignments for audio signals.
Importance of proper cable shielding for EMC performance.
Physical measurements of the console.
Technical data on the console's audio frequency range.
Distortion and noise levels at a specific output level.
Noise floor specifications for various signal paths.
Signal isolation performance for fader and bus assignments.
Common Mode Rejection Ratio for microphone inputs.
Highest input signal levels before distortion.
Highest output signal levels into a 2k load.
Diagram and explanation of the physical arrangement of controls.
Explanation of the console's signal path design.
How to switch signal paths using the FLIP control.
Functionality and use of solo buttons for monitoring.
Explanation of the console's metering system and its importance.
Example setup diagram showing connectivity.
After Fade Listen: monitors post-fade signals.
Secondary mix buses for effects or foldback.
Controls the overall level of auxiliary outputs.
Controls the gain of bus output mixing amplifiers.
Mutes a signal path to reduce noise.
Temporarily reduces monitor output volume.
Tone control for adjusting frequencies.
Swaps MIC/LINE and DAW inputs between SF and LF paths.
Audio mix for performers, often sent to headphones.
Console design with separate channel and monitor paths.
Points to break into a signal path for external processing.
Long Fader path, typically used for monitor mix and final output.
High-level input for sources like DAW outputs.
Low-level input for microphones.
Routing signal to the main stereo bus.
Controls the stereo position of a mono signal.
Equaliser control for bandwidth of frequency adjustments.
Selecting destination bus outputs for signals.
Short Fader path, typically used for recording inputs.
Extends routing options for bus outputs.
Mutes all other channels to isolate a soloed signal.
The main stereo output path of the console.
Communication system for talking to performers.
Detailed breakdown of individual channel components.
Description of the input stage for each channel.
Controls for signal routing and auxiliary sends.
Explanation of the channel's EQ section.
Functionality of the short fader and its related controls.
Controls for input selection and stereo panning.
Functionality of the long fader for monitor and mix levels.
Description of rear panel input and insert connections.
Overview of the console's master control modules.
Controls for studio monitoring and foldback feeds.
Detailed explanation of the control room monitoring system.
Function and controls of the built-in oscillator.
Master controls for soloing channels and monitoring modes.
Operation and parameters of the master compressor.
Description and use of stereo return inputs.
Details on line inputs and subgroup outputs.
Operation of subgroup faders and related controls.
Functionality of the talkback system.
Controls for managing auxiliary sends.
Fine-tuning level control for bus outputs.
Control for the main stereo output level.
Description of rear panel speaker output connectors.
Description of rear panel studio and foldback output connectors.
Description of rear panel auxiliary output connectors.
Details on subgroup insert and additional line input connectors.
Description of stereo input connectors on the master section.
Description of external input connectors for monitoring.
Description of stereo output connectors for recording machines.
Details on multi-pole output connectors.
Explanation of output metering on the master section.
Explanation of subgroup input metering.
Visual representation of the channel signal flow and processing.
Block diagrams for control room speakers and monitoring paths.
Block diagrams for auxiliary buses, stereo inputs, and foldback.
Conditions and exclusions related to the product warranty.
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