Behringer VIRTUALIZER 3D FX2000 - Page 22

22 VIRTUALIZER 3D FX2000 User Manual
Edit A Edit B Edit C Edit D Edit E Edit F Mix
Name Min. Def. Max. Min. Def. Max. Min. Def. Max. Min. Def. Max. Min. Def. Max. Min. Def. Max. Min. Def. Max.
Dynamics
31 Compressor
Ratio Threshold Makeup-Gain Soft Knee Attack Release Mix
1.25 3.75 100 -60 -28 dB 0 +0.0 +3.0 dB +24.0 0 4 6 0.005 0.037 s 0.200 0.050 0.183 s 1.000 0 (o) 100% 100 (on)
32 Expander
Ratio Threshold Makeup-Gain Soft Knee Attack Release Mix
1.25 3.25 100 -60 -9 dB 0 +0.0 +4.5 dB +24.0 0 3 6 0.005 0.049 s 0.200 0.050 0.243 s 1.000 0 (o) 100% 100 (on)
33 Gate
Hold Threshold Attack Release Range — Mix
0.001 0.054 s 1.000 O, -59 -12 dB -1, Mute 0.005 0.005 s 0.200 0.005 0.031 s 0.500 Mute, -59 Mute -1, 0 dB — — — 0 (o) 100% 100 (on)
34
Analog
Compr./
Limiter
Ratio Threshold Makeup-Gain Limiter Thresh. Attack Release Mix
1.50 3.00 100 -48 -24 dB 0 +0.0 +6.0 dB +24.0 -24.0 0.0 dB 0.0 0.001 0.020 s 0.150 0.050 s Auto
0.977s,
Auto
0 (o) 100% 100 (on)
35 Ultramizer
Density Range Speed Split Frequency Stereo FX Enhancer Freq. Band
1 36 100 0 9 dB 24 1 38 100 50 190 Hz 10.0 k 0 20% 100 2.50 k 12.5 kHz 15.0 k Low Wide High
36 Denoiser
LP-Frequency LP-Depth LP-Speed Gate Threshold Gate Hold Gate Resp. Mix
40 916 Hz 20.0 k 0 75 % 100 0.001 0.243 s 2.000 O, -59 -30 dB -1, Mute 0.001 0.035 s 1.000 0.005 0.037 s 0.200 0 (o) 100% 100 (on)
37 De-Esser
Ratio Threshold Makeup-Gain Frequency Attack Release Band
1.50 3.00 100 -48 -36 dB 0 +0.0 +6.0 dB +24.0 500 2.78 kHz 15.0 k 0.001 0.020 s 0.150 0.050 s Auto
0.977s,
Auto
Low Wide High
38
Wave
Designer
Attack Left Release Left Attack Right Release Right Gain Left Gain Right Mix
-50 -25 +50 -50 +25 +50 Ste., -50 Stereo +50 Ste., -50 Stereo +50 Auto, -24 Auto +24 dB
Auto,
-24
Auto +24 dB 0 (o) 100% 100 (on)
Psycho Accoustic
39 Exciter
Frequency Filter Q Harmonics Timbre Harmon. Kick — Mix
1.00 7.09 kHz 10.0 1 1 20 0 25% 100 0 50% 100 O On On — — — 0 40% 100
40 Enhancer
High Freq. High Gain Bass Width Bass Gain Mid Q Mid Gain Gain
1 42 50 0 30 % 100 -50 +30 +50 0 35 % 100 1 30 50 0 10% 100 -16 -1 dB +16
41 Ultra Bass
Subbass Freq. Subbass Level Harmon. Freq. Harmon. Level Harmon. Density Bass Gain Mix
80.0 130.6 Hz 150.0 0 25 % 100 30.0 201.2 Hz 250.0 0 50% 100 1 7 7 0 60% 100 0 (o) 100% 100 (on)
42
Stereo
Imager
Spread MS-Balance Spread Mode Gain Stereo Balance Mono Balance Mix
0 50% 100 0 75% 100 Spread Space Space -6.0 +1.0 dB +6.0 0 50% 100 0 50% 100 0 (o) 100% 100 (on)
43 Ultra Wide
Center Spread X-Over Frequ. Gain — — Mix
0 25% 100 0 50% 100 100 511 Hz 10.0 k -12.0 -6.0 dB +12.0 — — — — — — 0 (o) 100% 100 (on)
44 Binauralizer
Center Space Mode Gain Speaker Distance Speaker Compens. Mix
0 40% 100 0 32% 100 Phones Speakers Speakers -12.0 +5.0 dB +12.0 0 4 18 25 50 % 100 0 (o) 100% 100 (on)
Filter / EQ
45 Auto Filter
Base Freq. Depth Type Resonance Attack Release Mix
100 368 Hz 15.0 k 0 30 % 100
LP.12 ,
LP. 24 ,
HP.12 ,
HP. 24
BP.12
BP.12 ,
BP. 24
1 34 50 0.005 0.022 s 2.000 0.005 0.061 s 2.000 0 100% 100
46 LFO Filter
Base Freq. Depth Type Resonance Speed Wave Mix
100 485 Hz 15.0 k 0 85% 100 LP.12 L P.12
LP. 24 ,
HP.12 ,
HP. 24 ,
BP.12 ,
BP. 24
1 35 50 0.10 4.84 Hz 20.00
Sine,
Triangle
Saw Down
Saw Up,
Saw Down,
Square
0 100% 100
47
Parametric
EQ
Gain 1 Freq. 1 Q 1 Gain 2 Freq. 2 Q 2 Gain
-16 +4 dB +16 200 489 Hz 10.0 k 0.50 1.16 10.00 -16 +6 dB +16 200 Hz 2.58 kHz 10.0 kHz 0.50 1.03 10.00 -16 -3 dB +16
48 Graphic EQ
200 Hz 400 Hz 800 Hz 1.6 kHz 3.2 kHz 6.4 kHz Gain
-16 +3 dB +16 -16 -1 dB +16 -16 +3 dB +16 -16 -1 +16 -16 +1 dB +16 -16 +3 dB +16 -16 -2 dB +16
Distortion / Amp Simulation
49
Vocal
Distortion
Distortion Delay Gain Delay Flanger Level Type Flanger Speed Mix
1 51 100 0 30% 100 0.050 0.187 s 1.000 0 100% 100 1 3 3 0.050 0.202 Hz 2.000 0 100% 100
50
Tube
Distortion
Drive Pre HP Pre LP Damp Tube Select Mid EQ Mix
1 50 100 50 120 Hz 1.00 k 1.00 2.07 kHz 15.0 15.0 7.11 kHz 1.00 1 2 3 -16 -1 dB +16 0 100% 100
51 Guitar Amp
In Gain Drive Presence Gain Cabinet Type Mid EQ Mix
1 60 100 1 70 100 1 70 100 1 75 100 1 2 8 -16 0 dB +16 0 100% 100
52 Tri Fuzz
In Gain Low-Fuzz Mid-Fuzz Hi-Fuzz Drive Hi Damp Mix
1 80 100 1 51 100 1 55 100 1 51 100 1 65 100 1 50 100 0 100% 100
53
Speaker
Simulation
Type EQ-Gain EQ-Frequency EQ-Q — — Mix
1 5 8 -16 0 dB +16 200 Hz 1.44 kHz 10.0 kHz 0.50 2.24 10.00 — — — — — — 0 100% 100
54
Ring
Modulator
Speed Depth Carrier-Freq. Tone Mode Slewing Mix
LFO: 0.10 Hz
ENV: 0.005 s
RAND +
SINE: 1.0 Hz
0.40 Hz
LFO: 10.00 Hz
ENV: 0.500 s
RAND +
SINE: 100.0 Hz
0 25% 100 100 Hz 308 Hz 10.0 kHz 200 Hz 2.00 kHz 20.0 kHz LFO LFO
ENVELOPE,
RANDOM,
SINE
0 0% 100 0 100% 100
55 LoFi
Bits Resolution Tone Buzz Level Noise Gain Noise HP Noise LP Mix
24 7 bit 6
20.0
kHz
6.96 kHz 400 Hz 0 30% 100 0 35% 100 20 159 Hz 20.0 k 400 Hz 10.3 kHz 20.0 kHz 0 100% 100
Tab. 7.1: Overview of the individual parameters of eects types (continued on next page)