Section14Preamps
©Copyright2000-2002BarryS.Pearceetal. 72
CleanPreampSummary
Insummary,thebestwaytousethepreampsareasabase
for a patch, providing the patch with the basic tone
characteristics, and then use other effects to colour and
shapeasnecessary.AlwaysrememberthattheEQisthere
toalterthecolouring.Examiningthepresetshasshownus
howeffectivethiscanbe.
TheMasterVolumecontrolisinallcasesaflat response
control that provides a good wayof managingthe output
level of the preamp without changing the colour of the
sound.
Lookingatourthreepre-ampswecanseethattheJC-120
gives a fairly well balanced sound, warmer than
nothing/[GT-3]AC.Guitar.TheCleanTwinwithitsboosted
bass,andtreblegivesveryarichwarmsound,andwouldbe
verywellsuitedas a basis for someprettyheavypatches
especiallywithagooddosingofdistortion.Whichpreamp
youchoosewillgreatlyaffecttheunderlyingsoundofthe
patch.Thus,tohelpyouchoosethereisafileinthe'set-
up....' folder called 'GTx-PRE-Compare.jpg'. This image
willgiveyouahandyreferencetochoosingacleanpreamp.
In practice, Bass = Warmth, Middle = Body,
Treble/Presence/Bright = Jangle/Sparkle. For versatility I
love the Clean TWIN. It seems to have more dynamic
controlandrangethantheotherpreamps.It’sverymuchmy
favourite.It’s'Inyourface','Bright'andyetfullofwarmth
andoompf.Itdefinitelytopsthelotoftheminmybook!
UsingthePreampsfor
Overdrive/Distortion
As we have said before, all three clean preamps will
produce overdriven sounds, but they are best suited to
clean. Here the preamps are best suited to
overdriven/distorted sounds. Some of them will give
acceptablecleanresultsbuttheyareprobablybestusedin
theirdistortionmodes,asitwouldbeprettyhardforanyof
thesetobeatCleanTWIN(IMHO).
Well,youmaynowbethinkingthatI'mgoingtogivethe
otherpreampsagoodgoingoveraswell.I'mafraidthatI
amlikelytodisappointhere.Ifeelthathavinglookedatthe
clean preamps youshould, bynow, have a good feel for
howtheampsshapeupwithregardtoalteringsettings.So
whatIhavedoneisbrokenthemdownintofourgroups,and
providedfourimagesinthefilesarea soyoucancontrast
thebasictonecharacteristics.
One thing you will find is that none of the preamps
presented here have a tonal variation as extreme as the
CleanTWIN. Allthesepreampsaremoremodestintheir
tone.
The groups are (along with a short summary of the tonal
characteristics):
[GTx-PRE-CrMaVx.jpg]
Allthesethreeareverysimilar.Allhavea
slight,andImeanslightmidscoop,inthe
100Hz-2kHzregionandaslightboostto
thetrebleendofthingsfrom2kHzup.All
thebassfrequenciesaredroppedoffviaa
highpassfilterfromabout70Hzdown.
Crunch
Ofthesethree,thispreamphasthemost
bassboostinthe40-300Hzarea,however
ithasthesmallesttrebleboostwhichonly
covers2-7kHz.Above7kHzisalowpass
filter dropping off the frequencies down
to 22kHz. In practice this preamp gives
light->heavyoverdriventypesounds.
MATCHDrive
Thisamphastheleastbassofthegroup.
However it has an enhanced treble
compared with the Crunch, but nothing
liketheVOXY.TheTreblehereextends
from2-13kHz before dropping offvia a
low pass filter. The treble boost is at a
similar level to the Crunch. The mids
havethelowestscoopbutonlybyvirtue
of the fact that the bass has been cut
slightly.Againthispreampcangivequite
aheavyoverdrivensound.
VOXYDrive
Thisistheampwiththemosttreble,with
thebooststartingat1.5kHz,boostingthe
treble well above the others before
starting to drop off at 10kHz but not
dropping off sharply until about 15kHz.
BasswisetheVOXYisverymuchmiddle
of the road. In practice this preamp
appears to giveaverymuddyoverdrive,
very similar to the MATCH Drive but
withmorebass.
[GTx-PRE-BlBG.jpg]
Thesetwopreampsshowmorecharacter
thanthe(Ithink)wishy-washyfirstthree.
Herethe mid scoops are deeper, but the
bassandtreblearebalanced.
Blues
Basicwellbalancedpreampwhichhasa
quite deep but broad mid scoop from
90Hz-2.5kHz. The bass is boosted
slightly in the 50-90Hz region, and the
trebleabove2.5kHzisboosted,butdrops
offquicklyafter9kHzreachingthesame
levelastheGT-3/5reference,andtheBG
Lead by 10kHz, and continues to drop
these frequencies off more quickly than