Section18FootVolume
©Copyright2000-2002BarryS.Pearceetal. 97
(expressional) control over the attack and you have the
option of turning the attack delay on and off at will!
Although it takes a little practice, it is much easier than
usingyourpinkyontheguitar’svolumeknob,andtherefore
additionally leaves your right hand free for whammy bar
movesorothertechniques.
FadeOut
Well,it’sjusttheoppositeoffadeinreally.Strikethechord
andsmoothlycomebackonthepedal.Nuffsaid.
DecayAcceleration
JustasyoucanusetheFVforattackdelay,youcanuseitto
accelerate the decay. This is attack delayturned round if
youlike,andisthesamefortheattackdelayasfadeoutis
tofadein.Althoughitispossibletousetheguitarvolume
control for this, the GT-3/5 has no effect that can
adequatelydothisforyou!!Here’ssomethingtheFVhas
whichisuniqueontheGT-3/5!!PushtheFVforwardspick
thenoteandthenrollbackonthepedal.Makesurethenote
no longer rings by muting the string and roll the pedal
forwards again ready for the next pick. Now, I'll bet not
manyofyouhadconsideredDecayAcceleration...
Tremolo
TheFVcanproduceatremoloeffect.Thisisfairlyeasyto
recreate.Justrockbackwardsandforwardsonthepedalas
youplay. Althoughfor faster or more accurate variations
youcan use the tremolo/paneffect or a wavepedal,it is
easiertosynchronisewiththesongtempo—mainlybecause
your ear is the controlling factor here. You can also add
moreexpressionhere byveryeasilychangingthetremolo
depth and rate, in an extremely variable manner. Don't
forgetyoudon'thaveto use itfulldepth,youcouldrock
backandforthoverjustasmallsweep.
Swelling&ReverseSwelling
The FV canbe usedtocreatingaswellingeffect.Thisis
donequitesimplystartingoffwiththepedalbackabitand
then pushing it forwards, you can reverse the action to
produceadiminishingeffect(reverseswell),aswellwithout
goingasfarasafadeout.
FeedbackControl
Sometimes, (in certain situations) feedback will start to
develop, sometimes controlled, sometimes uncontrolled.
Certainlyifyouexperienceuncontrolledfeedbackbacking
offthevolumepedalmayhelptameit.
Itmustbesaidthatyouaren'tgoingtobeabletocreatea
SlicereffectfromastandardFV.Ifyoureallydowishtodo
thisthenyouwillneedtolookattheControlAssignsthat
arecoveredinsection23.
ModifyingtheSweepRange
Normallythevolumewillchangeoverthefullsweepofthe
pedal. However,it ispossibletolimittheactiverangeso
that only part of the sweep alters the volume. It is also
possible to alter the amount of volume change (i.e.
Minimum/maximum volumes) that occurs over the active
sweeprange.Ishallexplainallofthisfullybelowwhenwe
discusscontrolassigns.
Summary
OnemorethingIwouldliketosayisnowandagainyou
shouldletyourimaginationgo.Withonesimplesettingand
onesimplepedalyoucaninstantlyswitchfromattackdelay
totremolothenreversetheswellslightlybeforeswellingup
andfadingout.Wecanplaywiththevolume,toyingwithit,
or we can be brutal and use it to really attack a piece.
Combiningthissortofplayingwithothereffectscanresult
inanabsolutelystunningrollercoasterofasound.Putthe
EXPRESSION into what most people see as a mundane
pieceofequipment.Learntofeelit.
Onafinalnote,usingthefootvolumetoproduce
AttackDelay(SlowGear)orTremolocanovercomesome
of the limitations of the GT-3's groupingof these effects
underSFX,allowingyoutouseanotherSFXeffectatthe
sametime.ThususingtheFVforattackdelayandsetting
theSFXforPanyoucangetbothsimultaneously!
AsyoucanseetheFVismuchmoreusefulthanitwould
first appear. In fact when I started writing this I only
expectedtohavetowriteaboutaquarterofwhatIhave!