🠚 Bipolar
LP-HP
zero-delay feedback
12db/oct
state-variable filter aka
isolator:
opens from LP silence at CCW to clean unprocessed sound at noon and closes
smoothly in HP silence at CW
🠚
BAND-PASS
12db/oct
state-variable bypass filter (
BPF
) with resonance control
setting the band-width
🠚
COMB
filter with resonator at high resonance settings. Creates
phaser
-alike
effects especially when slightly modulated.
Comb filter is capable of self-oscillation at full CW or CCW
RESONANCE
settings.
/
RESONANCE*
knob (18*) behavior in Comb filter is special: it is bipolar, so from
noon (zero resonance) it either adds negative (CCW) or positive combs (CW).
SPATIAL EFFECTS
This chain of audio effects
(a.k.a.
FX
)
consists of a delay which is then routed into
the reverb with mid/side widener.
DELAY
The delay can be synchronized externally via
MIDI CLOCK
applied from
MIDI IN
CONNECTOR
(5), or by using the onboard
TAP TEMPO footswitch
(14), with
maximum delay time of 2,5 seconds. Three configurations of delay taps are
available, toggled between by holding the
SHIFT + REPEATS
/TAPS*
knob. Delay tap
configurations are
RLRL, LRRL,
and
STEREO
mode – also known as true stereo,
where taps will appear at
OUT 1 or OUT 2
only if something is present at
IN 1
or
IN
2
respectively. Delay can be looped by infinitely recirculating its audio buffer by
setting the
TAP
(14) footswitch to mode 2. Secondary
/TAPS*
function (pressing or
holding
SHIFT
while turning the knob in 3 sectors from CCW to 11 o’clock, 11 to 14
o’clock and 14 to full CW shown with brightness of the
red
LED) changes the stereo
behavior of the taps produced by the delay. Available delay tap configurations are:
🠚
RLRL:
left and right summed aka Ping Pong, taps 2 and 4 hard-panned left, taps
1 and 3 hard panned right (LED in
red
, but fully off, is a default taps mode). In that
mode
LEFT OUTPUT JACK
(3) is a true mono output.
🠚
LRRL:
left and right summed, their taps 1 and 4 hard-panned left, taps 2 and 3
hard panned right (LED in
red
semi-on)
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