Endorphin.es GHOST - R E V E R B

🠚 STEREO: left and right inputs tap independently in their corresponding left and
right outputs. In this mode the total delay time is halved (LED in red fully on).
BUFFER CLEAR. When using long delay times it may be desirable to clear the
delay buffer in order to quickly introduce new audio material into the delay line. To
do so, turn both the DELAY (8) and REPEATS (10) knobs to their full CCW positions
to delete the buffer content.
LOOPER. When TAP footswitch (14) is assigned for delay ‘freeze’ (see TAP
FOOTSWITCH ASSIGNMENT below), it activates and deactivates delay LOOPER -
i.e. infinitely recirculating delay’s audio buffer. When the looper is enabled, incoming
into delay dry audio signal is turned off enabling the looped part to be played purely.
You may still blend a clean signal to it with a MIX knob (17).
🠚 NOTE: Tap tempo via the TAP footswitch (14) doesn’t work if an external MIDI
clock is applied.
REVERB
There are three very different reverb algorithms:
🠚 Lush stereo HALL REVERB that adds shimmer after the Dry/Wet control is
turned beyond 60%. Additional controls such as TONE and PREDELAY (12) can be
accessed by pressing the SHIFT button and turning either the Reverb Dry/Wet (11)
or Reverb Decay (12) knob respectively. This HALL REVERB can be frozen by
setting the TAP FOOTSWITCH (14) to mode 3.
🠚 Whooshing REVERSE REVERB . By default the PREDELAY amount is set to
maximum and is reversed, meaning that if predelay is set to fully CCW then the pre
delay value is at its maximum. Predelay controls reverse time (length of the buffer
that is being reversed), the bigger the predelay value the more of the reverse effect
you will hear. Shimmer effect can be added to the REVERSE REVERB by setting the
TAP FOOTSWITCH (14) to mode 3.
🠚 Vintage SPRING REVERB with spring excite functionality that can be activated
by setting the TAP footswitch (14) to mode 3.
MID/SIDE widener stays after the reverb and increases the stereo field
simultaneously with the amount of Reverb DECAY knob (12). This feature is best
audible on true stereo signals processed with the GHOST.
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