5
1
/3'
16' 8' 4'
2
2
/3'
2'
1
3
/5'1
1
/3'
1'
5
1
/3'
16' 8' 4'
2
2
/3'
2'
1
3
/5'1
1
/3'
1'
5
1
/3'
16' 8' 4'
2
2
/3'
2'
1
3
/5'1
1
/3'
1'
5
1/3
'
16' 8' 4'
2
2/3
'
2'
1
3/5
'1
1/3
'
1'
43
Setting Up
DRAWBARS FOR THE UPPER AND LOWER PARTS
WHITE DRAWBARS
In each Drawbar set, the white Drawbar (8´) on the left side
makes the fundamental sound. e other white Drawbars get
higher by the octave to the right.
BLACK DRAWBARS
BROWN DRAWBARS
DRAWBARS TO USE ON THE PEDAL
e sounds of the black Drawbars, too, play an important role
in building rich tones. eir pitches are fi fth and third to the
fundamental. ese harmonics add a complexity to the tone,
even allowing characteristics of acoustic instruments.
e two brown Drawbars on the far left give depth and richness
to the sound. e left 16´ is one octave lower than the 8´, and
5⅓ ´ is the third harmonic of the 16´ fundamental. Normally,
the tones are built on the 8’ fundamental, but, if you want to
add depth to the tone or to expand the playing range by one
octave lower, build your tones on the 16´ fundamental.
e Pedalboard plays the bass line and uses the two Drawbars
-16´ and 8´. e fi rst Pedal Drawbar produces a tone at 16´
pitch for a deep foundation bass, while the second Pedal Draw-
bar produces a tone at 8´ pitch, or one octave higher.
e registration of the Pedal part appears in the center of the
display. 16´ on the left and 8´ on the right.
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