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JVC XP-A1000BK - Connection and Preparations

JVC XP-A1000BK
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(Z900Z
‘ON)
p-L
DIGITAL
ACOUSTICS
PROCESSOR
(DAP)
Music
from your
stereo
is
more
enjoyable
when
it
faithfully
reproduces
the
original
performance
and
creates
the
feeling
of
a
live
performance
(sound-field
creation).
The
JVC
Digital
Acoustics
Processor
(DAP)
makes
that
performance
possible.
The
sound
patterns
comprising
a
sound
field
is
classified
in-
to
three
types
of
sound:
*
Direct
sound
from
the
sound
source
©
Reflected
sound
from
wall
and
ceiling
*
Reverberating
sound,
repetition
of
reflected
sound
preteen
py
coe
t
qa
Ss
010
some
ree
These
three
types
of
sound
vary
depending
upon
the
size
and
shape
of
the
performance
place,
the
wall
and
ceiling
material,
the
positions
of
musicians
and
the
audience.
The
characteristic
sound
of
a
famous
concert
hall
is
produc-
ed
by
the
balance
of
these
three
elements
created
in
the
structure
of
the
concert
hall.
Music
playedback
from
your
audio
device
can
be
enjoyed
with
the
feeling
of
a
live
performance
by
adding
two
or
four
dedicated
speakers
(other
than
two
front
speakers)
to
reproduce
the
reflected
and
reverberating
sound
of
a
con-
cert
hall.
"Gyr
The
JVC
DAP
reproduces
the
sound-field
patterns
of
a
live
performance
(the
reflected
sound
that
a
listener
hears
from
various
directions)
using
the
most
recent
digital
technology.
It
allows
you
to
enjoy
the
effect
of
a
live
performance
by
reproducing,
in
your
listening
room,
the
sound
field
of
a
jazz
club,
concert
hall
or
church.
The
DAP
is
programmed
with
20
patterns
of
sound
fields
from
such
places
as
a
concert
hall,
recital
hall,
church,
cathedral,
jazz
club
and
a
stadium.
The
sound
field
data
pattern
was
collected
using
the
new
‘Symmetrical
6-point
sound-field
analyzing
method"‘.
From
these
20
patterns
you
can
select
the
optimum
sound
field
for
the
playback
program
according
to
the
style
of
music
you
listen
to.
‘Symmetrical
6-Point
Sound
Field
Analysis
Patter
ft
Mi
Also,
when
loading
a
programmed
pattern,
temporary
changes
can
be
made
in
the
parameters
of
these
programs.
You
can
create
your
own
sound-field
patterns
by
changing
the
parameters
and
then
saving
the
new
sound-field
pattern
in
one
of
the
20
manual-program
memory
locations.
=
3
CONNECTION
AND
PREPARATIONS
Connect
the
cables;
set
and
adjust
the
switches
according
to
the
connected
audio
equipment
and
the
speaker
arrangement
(four
channels
or
six
channels).
Use
the
following
tables
to
guide
your
setup:
When
Using
an
Analog
Amplifier
as
the
Main
Signal
(Source
Playback):
Turn
the
DIGITAL
DIRECT
switch
OFF
(analog).
Speake?
pea
add
Pre-Main
Amplifier
arrangement
Separate
amplifier
With
PREOUT-MAIN
IN
With
TAPE
MONITOR
and
switch
operation
terminal
terminal
6
CHANNEL
Fig.
A
Fig.
8
Fig.
©
DAP
MODE
switch
@
6
CH
(m)
6
CH
(m)
6
CH
(m)
4
CHANNEL
Fig.
A
Fig.
B
Fig.
C
Se
+
DAP
MODE
switch
®
4CH
(=)
4
CH
(-—)
4
CH
(m)
When
Using
a
Digital
Amplifier
(with
D/A
Converter)
as
the
Main
Signal
(Source
Playback}:
Turn
the
DIGITAL
DIRECT
switch
ON
(digital).
When
connecting
a
digital
amplifier
with
a
larger
delay
time
between
input
and
output,
set
the
OFFSET
DELAY
TIME
of
this
unit
to
match
the
delay
time
of
the
digital
amplifier
in
order
to
create
a
proper
sound
field.
(rs
Amplifier
and
input
terminal
Pre-Main
Amplifier
with
TAPE
MONITOR
With
PREOUT-MAIN
IN
Separate
amplifier
Speaker
terminal
terminal
ends
elite
operation
OPTICAL
|
COAXIAL
|
OPTICAL
|
coAxiAL
|
opTicAL
|
COAXIAL
6
CHANNEL
Fig.
D
Fig.
E
Fig.
F
|
DAP
MODE
switch
@
6CH(m)
6
CH
(m)
6
CH
(m)
coe
|
i
Cm
|
oa
|
Om
)
on
Cn
4
CHANNEL
Fig.
D
|
Fig.
E
Fig.
F
DAP
MODE
switch
@
4CH
(=)
4CH
(=)
4CH
(=)
OPTICAL
/
[COAXIAL]
Selection
switch
@
CT
;
GO00LV-dX

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