FILMS,
FILTERS
AND
ARTIFICIAL
LIGHTS
/
CINE-KODAK
PANCHROMATIC
SAFETY
FILM
CINE-KoDAK
PANCHROMATIC
FILM
is sensitive
to
all colors.
It
gives a
truer black-and-white representation
of
the
subject's coloring
than
does
non-color-sensitive film. Cloud effects, foliage and flesh tones
show
great
improvement,
while
almost every scene
photographs
better
pic-
torially because
of
this
film's
ability
to
reproduce colors more nearly in
their
correct tone relationship.
The
surpassing
quality
of
Cine-Kodak Panchromatic
Film
is evident
when
used
either
in
daylight
or
artificial
light.
With
the
filters,
described on page 58,
many
unusual effects can be obtained.
/
CINE-KODAK
SUPER
SENSITIVE
PANCHROMATIC
SAFETY
FILM
SUPER
SENSITIVE
PANCHROMATIC
is
much faster
than
regular Panchro-
matic Film,
which
makes
it
possible
to
photograph
scenes
that
do
not
have sufficient
illumination
for regular Panchromatic
Film
. Pictures
.
can even be made
at
night
without
special
lighting
equipment.
For
instance,
the
light
from
two
ordinary lOO-watt lamps
two
feet from
the
subject
will
give good exposure
at
f.1.9,
while
three
or
four
Photo-
flood lamps in
the
regular
light
fixtures
will
illuminate a
whole
room
sufficiently
when
Super Sensitive Panchromatic
Film
is used.
This
film is equally good
in
daylight,
being
particularly
useful for
slow
motion
work
on dull days.
When using Super Sensitive Panchromatic
Film
in daylight, halve the expo-
sure
required for regular Panchromatic,
or
use the Cine-Kodak
Color
Filter
CCK-3)
with
no
change
in
exposure.
56
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