CREATING
SOUNDS
-CUTOFF
Th
is determines the cutoff frequency of the low-pass
filter. The higher the cutoff frequency, the less effect the
filters have on the basic waveforms (since more fre-
quencies are passed).
At the highest value, 63, all harmonics are passed. The
lower the value, the more harmonics are cutoff, so the
sound becomes progressive
ly
rounder
or
less bright.
-RESONANCE
This emphasizes the harmonics near the cutoff frequen-
cy, producing a characteristic peaky or bandpass type
of
sound.
The
higher the value, the higher the resonance peak
and the more obvious the effect. At
or
near the max-
im
um value
31,
the VCFs
go
into self-oscillation, pro-
duc
i
ng
a pure
sine
wave,
which
can
be u
sed
as
an
add
i-
tional sound source for special effects. T
he
pitch
of
the
VCF tone
is
affected by the Cut Off, Keyboard Track,
EG
INT, and
MG
VC
F parameters.
-20
VALUE
n
u
1
TIMBRE
Dull
or
rounded
1
,-
-,
Oj
Bright, unchanged timbre
I
Freque
n
cies
lowe
r
lhan
cutoff
:
fr
equency
are
passed
. I
I
I
I
0
._
__
______
_.,
_
_,_
____
___
_
t
Frequency
Cutoff
freq
u
ency
--
------
Value
--------
---
0
VALUE
n
LI
1
3 t
63
EFFECT
None
1
Self-oscillation, very " peaky"
sound.
+ /""\
Value
,'
•l
...-
H
armon
ics
n
ea
r
cu
t
off
+ /
--r,
'
frequency
are
boosted
.
__
_____
_,_,
I
I
I
I
I
I
I
I
1
t
Cutoff
fr
equency
Fr
e
que
ncy