68
4.2–1: M2–1..8 (MIDI Filter2–1 T01...08)
4.2–2: 2–1..16 (MIDI Filter2–1 T09...16)
4.2–1(2)a: JS+Y, JS-Y
JS+Y CC#01 [Off, On]
Specifies whether or not MIDI control message #1 (the +Y
axis of this instrument’s joystick, or assigned to B-mode of
the REALTIME CONTROL knobs [1]–[4]) will be received.
JS-Y CC#02 [Off, On]
Specifies whether or not MIDI control message #2 (the –Y
axis of this instrument’s joystick, or assigned to B-mode of
the REALTIME CONTROL knobs [1]–[4]) will be received.
■ 4.2–1(2)b: UTILITY
☞ “Memory Status,” “Solo Selected Track,” “Rename Song,”
“Delete Song,” “Copy From Song,” “Copy From Combi,”
“Load Template Song,” “Save Template Song,” “FF/REW
Speed,” “Set Location” (1.1–1d)
4.2–3: 2–2..8 (MIDI Filter2–2 T01...08)
4.2–4: 2–2..16 (MIDI Filter2–2 T09...16)
4.2–3(4)a: JSX/Bend as AMS, Ribbon
JSX/Bend as AMS [Off, On]
Allow incoming MIDI pitch bend messages (the X-axis of
this instrument’s joystick) to control the AMS (
☞“Alternate
Modulation Source”) that is specified for JS X. (This is not a
reception filter for MIDI pitch bend messages.)
Ribbon CC#16 [Off, On]
Specifies whether MIDI control change message #16 (speci-
fied as the B-mode assignment of REALTIME CONTROLS
knobs [1]–[4], or the ribbon controller of a TRITON Extreme
etc.) will be received.
■ 4.2–3(4)b: UTILITY
☞ “Memory Status,” “Solo Selected Track,” “Rename Song,”
“Delete Song,” “Copy From Song,” “Copy From Combi,”
“Load Template Song,” “Save Template Song,” “FF/REW
Speed,” “Set Location” (1.1–1d)
Specifies whether the A- and B-mode operations of REAL-
TIME CONTROLS knobs [1]–[4] will be received. MIDI con-
trol messages are fixed as the A-mode operation of each
knob. In B-mode the knobs correspond to the messages you
assign in the 2.2: Controller Controls page.
4.3–1: M3–1..8 (MIDI Filter3–1 T01...08)
4.3–2: 3–1..16 (MIDI Filter3–1 T09...16)
4.3–3: 3–2..8 (MIDI Filter3–2 T01...08)
4.3–4: 3–2..16 (MIDI Filter3–2 T09...16)
4.3–1(2)a: Real-time Control Knob 1, 2
Knob1 [Off, On]
Specifies whether or not the A-mode MIDI control change
message #74 (this instrument’s low pass filter cutoff fre-
quency) and the B-mode MIDI control change message will
be received.
Knob2 [Off, On]
Specifies whether or not the A-mode MIDI control change
message #71 (this instrument’s low pass filter resonance or
high pass filter cutoff frequency) and the B-mode MIDI con-
trol change message will be received.
4.3–3(4)a: Real-time Control Knob 3, 4
Knob3 [Off, On]
Specifies whether or not the A-mode MIDI control change
message #79 (this instrument’s filter EG intensity) and the B-
mode MIDI control change message will be received.
Knob4 [Off, On]
Specifies whether or not the A-mode MIDI control change
message #72 (the release time of this instrument’s filter and
amp EG’s, release time) and the B-mode MIDI control
change message will be received.
SEQ 4.2: MIDI Filter2
4.2–1a
1.1–1c
4.2–1b
4.2–3a
1.1–1c
4.2–3b
SEQ 4.3: MIDI Filter3
4.3–1a
1.1–1c
4.3–1b
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