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General| Oscillators | 2 |
|---|---|
| FM | Yes |
| Envelope | 2 ADSR |
| VCA | Yes |
| Keyboard | No |
| Type | Analog Synthesizer |
| Waveforms | Sawtooth, Square, Triangle, Sine |
| LFO | 1 |
| Polyphony | Monophonic |
| Modulation | Modulation Matrix |
| Effects | Delay, Reverb |
| Connectivity | MIDI In/Out, USB |
| Filter | Multimode filter (LP, HP, BP, Notch) |
Details on checking the contents of the purchase carton and storing packaging for future use.
Explains the IMPLEXUS as an analogue synthesizer combining East Coast and West Coast synthesis techniques.
Details the RANGE, FINE, and LIN FM pitch controls for the complex generator.
Explains HARMONICS for adding harmonics and FOLDER for signal clipping and folding.
Details EG AMT and LFO 1 AMT controls for modulating the HARMONICS parameter.
Details the BIAS, OSC MOD, and LFO AMT controls for asymmetrical clipping and modulation.
Describes the basic generator's pitch control, wave select, and its role as a modulation source.
Describes global pitch modulation parameters: GLIDE for portamento, PITCH EG amount, and VIBRATO.
Details the CUTOFF frequency and filter TYPE (low-pass/hi-pass) for shaping the sound.
Explains RESONANCE for boosting harmonics and EG AMT for filter cutoff modulation.
Details the Modulation Envelope Generator, its destinations, and loop mode for LFO behavior.
Explains the Amplifier Envelope Generator, VCA control, and drone function for sustained sound.
Covers the SHAPE selection and manual/synchronized RATE control for the LFOs.
Explains how to set the IMPLEXUS MIDI channel using button combinations during power-on.
Details the methods for connecting the IMPLEXUS to MIDI devices using DIN and USB connections.
Lists and explains all external inputs, including GATE, 1V/oct, Velocity, Harmonics, Fold, Bias, Cutoff, and External Clock.
Example patch creating rhythmic sounds using LFOs at different clock divisions and delay synchronization.
Patch example using audio rate modulations and delay for a drone-like sound with beating modulations.
Patch example for creating a haunting drone with metallic sounds using modulation and delay.
Example patch for a clock synchronized random sequence using LFO 2 and GATE input.
Patch example to create kick drum sounds at random moments using LFO 2 and GATE input.
Example patch for a robotic wobble sound using LFO 2 and MOD EG to control VCF CUTOFF.
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