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Low self-noise, crosstalk, and acoustic resolution for optimal stage performance.
Cardioid (KMS 104) vs. Supercardioid (KMS 105) patterns for sound suppression.
Proximity effect compensation, 120 Hz high-pass filter, low self-noise (18 dB-A), transformerless output.
Studio condenser capsules, high transparency, wide frequency range, and smooth response for vocal clarity.
Robust metal housing, hardened steel grilles, and protection against handling noise for stage use.
Microphones are supplied in a padded nylon bag with a stand clamp, suitable for touring.
Neumann stage sound, excellent transparency, effective pop shielding, and transformerless output.
Ideal for live vocals, speech, broadcasting, dubbing, and feedback-prone environments.
Particularly suited for in-ear monitoring systems due to low self-noise and crosstalk.
Graphs showing frequency response and polar patterns for KMS 104 and KMS 105 microphones.
Details on sensitivity, impedance, SPL, dynamic range, and noise level for both models.
Information on connector type, weight, diameter, and length of the microphones.
General| Microphone Type | Condenser |
|---|---|
| Polar Pattern | Supercardioid |
| Frequency Response | 20 Hz - 20 kHz |
| Sensitivity | 4.5 mV/Pa |
| Max SPL | 150 dB |
| Equivalent Noise Level | 18 dB-A |
| Impedance | 50 ohms |
| Acoustical Operating Principle | Pressure gradient transducer |
| Rated Load Impedance | 1000 ohms |
| Equivalent Noise Level, CCIR | 28 dB |
| Signal-to-Noise Ratio, CCIR | 66 dB |
| Signal-to-Noise Ratio, A-weighted | 76 dB |
| Maximum Output Voltage | 12 dBu |
| Current Consumption | 3.5 mA |
| Weight | 300 g |
| Diameter | 48 mm |
| Length | 180 mm |
| Supply Voltage | 48 V |
