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Key Performance Figures| Real World ADC Dynamic Range | 102 dB (A-weighted) |
|---|---|
| Real World DAC Dynamic Range | 100 dB (A-weighted) |
| Chipset ADC/DAC Dynamic Range | 114 dB (A-weighted) |
| Latency (Minimum Buffer Size) | 77 samples |
Microphone Inputs| Dynamic Range (A-Weighted) | 102 dB |
|---|---|
| Frequency Response | 20 Hz - 20 kHz +/- 0.1 dB |
| Maximum Input Level @ Minimum gain for 0 dBFS | +4 dBu |
Line Inputs| Dynamic Range (A-Weighted) | 102 dB |
|---|---|
| Frequency Response | 20 Hz - 20 kHz +/- 0.1 dB |
| Noise | -92 dBu (22 Hz/22 kHz bandpass filter) |
Analogue Audio Outputs (¼” TRS)| Maximum Output Level (0 dBFS) | +7.0 dBu |
|---|---|
| THD+N | 0.0075% (-1 dBFS output, 20 Hz/22 kHz bandpass filter) |
| Output Type | Electronically balanced output |
Headphone Outputs| Frequency Response | 20 Hz-20 KHz +/- 0.1 dB |
|---|---|
| Dynamic Range | 102 dB |
| Maximum Output into 32R | +3 dBu (-1.4 dBV) |
Specific FCC compliance information and user guidance for the USA market.
Compliance information for Canadian ICES-003 standard.
Statement regarding compliance with EU Directive and California law on hazardous substances.
Lists all the items included in the Novation TWITCH packaging.
Details on the power supply needs and USB connection for the TWITCH.
Specifies the hardware and OS requirements for running ITCH software.
Step-by-step guide for installing the ITCH software on Mac operating systems.
Step-by-step guide for installing the ITCH software on Windows operating systems.
Using the Play/Pause and Cue buttons for track control and setting cue points.
Functions of Keylock for pitch preservation and Sync/Auto for tempo synchronization.
Adjusting track speed and BPM using the pitch rotary control.
Using Swipe and Drop actions with the touchstrip for performance.
How to set, trigger, and manage up to eight cue points for tracks.
Using the slicer mode to divide tracks into segments and trigger them.
Creating and triggering loops of various lengths using performance pads.
Momentarily triggering loops for stutter effects and creative performance.
Overview of the eight performance pads and their functions in different modes.
Setting and clearing beat markers for precise beat grid alignment.
Adjusting and slipping the beat grid for accurate track synchronization.
Using the SHIFT button in conjunction with other controls for additional functions.
Adjusting depth, modulation, and beat parameters for master effects.
List and brief description of the master effects available in the TWITCH.
Adjusting gain, equalization, and routing for mic and aux inputs.
How to launch the ITCH application on Mac OSX and Windows.
Description of interface elements like Album Art, Files, Browse, Search, and Recording controls.
Explanation of functions like Track Overview, Tempo Source, Track Name, and Beat Matching.
Methods for browsing and loading music files from various sources into the ITCH library.
Enabling and displaying the iTunes library within the ITCH software.
Guidance on converting audio CDs to compatible file types for ITCH.
List of audio file formats compatible with Serato ITCH.
Identifying and managing corrupt audio files within the ITCH library.
Process of analyzing files to detect corruption, generate waveforms, and calculate BPM.
Instructions for using the ANALYZE FILES button and drag-and-drop analysis.
Using TWITCH hardware controls like SCROLL, FWD, BACK, and AREA for navigation.
Using keyboard cursor keys and mouse for navigating the ITCH library.
Understanding the virtual deck's speed, position, and progress bar.
Details shown on the track title bar, including name, artist, BPM, and playback settings.
Selecting between Single and Continuous playback modes.
Setting the repeat mode for tracks or crates (Off or On).
How the touchstrip replaces platters for playback adjustment and performance.
Using the touchstrip for momentary speed and pitch adjustments.
Using the touchstrip for scratching effects, similar to a vinyl turntable.
Using touchstrip for scrubbing playhead backwards or forwards when paused.
Using the touchstrip for 'needle drop' access to any position in a track.
Using the DROP button to enable fast forward or rewind functionality on the touchstrip.
Tips for browsing the library to find a track with a similar tempo.
Methods for loading tracks to virtual decks using hardware or mouse.
Using the cue system to preview tracks without sending them to the master output.
Enabling continuous playback mode for automatic track transitions.
How Beat Grids mark beats and transients for precise syncing and looping.
Activating the Beat Grid functionality in the software setup.
Visual representation of the Beat Grid superimposed on the track waveform.
Prerequisites for creating a Beat Grid, including track analysis and BPM.
Placing beat markers using the BEAT GRID SET button or keyboard shortcuts.
How SYNC button and Master Clock function when Beat Grids are enabled.
Synchronizing tempo when Beat Grids are not enabled or assigned.
Automatic tempo synchronization for all tracks, regardless of Beat Grids.
Marking and triggering cue points for different parts of tracks.
Looping individual slices or blocks of slices in Slicer Mode 1.
Creating an eight-slice loop and highlighting active slices in Slicer Mode 2.
Using pinch and expand gestures on the touchstrip to modify domain and quantization.
Using performance pads to trigger loops of predefined lengths.
Saving and recalling custom auto loops within track ID3 tags.
Using the touchstrip to select loop durations and ranges.
Using Swipe and Drop buttons to activate modes, affecting touchstrip functionality.
Controls for applying master effects to decks and aux inputs.
Adjusting depth, modulation, and beat parameters for master effects.
List and brief description of the master effects available in the TWITCH.
Cyclic modulation of track volume for rhythmic effects.
Repeating audio segments with randomness and probability controls.
Replaying audio segments backwards for envelope reversal effects.
Simulating a turntable stop brake effect for audio playback.
Enabling the Fader FX feature and its indication on the bargraph meter.
Selecting effects for Fader FX and adjusting effect parameters with the SELECT rotary control.
Adjusting gain, equalization, and routing for mic and aux inputs.
Steps for selecting source, adjusting levels, starting, stopping, and saving recordings.
Creating and managing digital crates for organizing music collections.
Creating subcrates by dragging and dropping crates into other crates.
Adding and toggling album artwork display within the ITCH library.
Re-reading file tags for the entire library after external edits.
Finding and updating locations for moved or renamed library files.
Information provided in the history log: Start Time, End Time, Playtime, Deck, and Notes.
Initiating and concluding DJ sessions within the ITCH software.
Adding information for tracks played outside of ITCH to the session data.
Exporting session information in text, CSV, or M3U playlist formats.
Understanding how played and unplayed tracks are listed in the history log.
Displaying the current ITCH software version and checking for updates.
Overview of the five main tabs: HARDWARE, PLAYBACK, LIBRARY, DISPLAY, and MIXER.
Updating the TWITCH hardware firmware via the software.
Adjusting USB buffer size (latency) and platter speed settings.
Configuring playback keys, deck locking, hi-fi resampler, and auto gain.
Enabling or disabling Beat Grid functionality for Slice Mode.
Settings for play from start, instant doubles, and play from first cue point.
Selecting bit depth and file format for recordings.
Adjusting the speed at which tracks stop when the deck is paused.
Options for showing iTunes library, protecting library, custom columns, and subcrate tracks.
Adjusting maximum screen updates and waveform display modes (horizontal/vertical).
Configuring crossfader action, EQ range, output mode, and headroom.
Adjusting headphone output level with overdrive for extra boost.
Adjusting crossfader and channel fader curves for tighter or gradual fades.
Details on proprietary Serato file format, quality, and availability of Whitelabel audio files.
Using the Serato Whitelabel Delivery Network for promotional releases.
Unlocking licensed Whitelabel files using email and password verification.
ADC/DAC dynamic range, chipset range, and latency specifications.
Specifications for microphone inputs: dynamic range, frequency response, THD+N, and noise.
Specifications for line inputs: dynamic range, frequency response, and THD+N.
Specifications for balanced 1/4" TRS audio outputs: level and THD+N.
Specifications for unbalanced RCA phono audio outputs: level and THD+N.
Specifications for headphone outputs: frequency response, dynamic range, SNR, power, and impedance.
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