4 
 
 
Introduction
 
The AG-DVX100 has captured the imagination of creative filmmakers, broadcasters, and  
video professionals around the world, with its 24p (progressive) capabilities. 
 
Panasonic has won a total of 15 Emmys, 12 of them for advancements in the area of digital 
video technology.  Panasonic’s engineers are continuously pushing the limits of product de-
sign and the AG-DVX100 is a prime example of their innovation and imagination. 
 
What is 24p?  
Lets start with film, which is shot at 24 frames per second.  Inherent in this capture rate, is a 
motion blur that is used by the artistic filmmaker to draw the attention of the viewer to his 
subject.  In the movie theater, film is projected at 48 frames per second due to a shutter in 
the projector.  The AG-DVX100 uses an electronic shutter which the user can set to differ-
ent speeds.  
“When you watch 24p, you know you are being told a story”.  It’s a different look.  It’s the 
difference between the look of a soap opera or the six o’clock news and the look of a fea-
ture film. 
There is a three part answer to what must be done to create the cinematic look in video 
 
What is Cine Gamma? 
 
Fact: The contrast ratio of film is greater than contrast ratio of video.  Can the range of 
bright to dark areas be correctly exposed in a scene?  Video has been optimized for high 
ambient lighting during image capture (studio) and viewing (living room).  Therefore image 
brightness has a been  much more important than contrast ratio.  Film, when used in cine-
matic presentations, has a very high wide dynamic range providing great detail in both the 
brightest and darkest areas of the image.  The Cine-like Gamma feature of the AG-DVX100 
emulates this wider exposure range characteristic and with the recommended 1/2 f-stop  
under  exposure should help to maintain increased highlight handling abilities. 
 
What is Progressive? 
 
Rather than capturing one half of a picture (the odd lines) and 1/60th of a second later cap-
turing the second half of the picture (the even lines), wouldn't it be better to capture an en-
tire frame of video with no temporal (time) difference?  Progressive recording does accom-
plishes this!  What progressive recording does is creates a picture with double the scan 
lines of a conventional interlaced picture, to create a noticeably sharper image.  
 
What is 24p Playback? 
If you made a  recording in 24p or 24p advanced and now you want to play it back 
on a standard NTSC video monitor.  The AG-DVX100  
has a built in “telecine” or con-
version circuit so that you can playback your 24p recordings on a NTSC Monitor.  There are 
two different schemes used
 
in the AG-DVX100,  
2:3 and 2:3:3:2
.  In 24p playback mode we 
use a 2:3 pulldown scheme and in 24p Advanced mode we use 2:3:3:2.  This is actually a 
method of mapping the 24p into the 30 frames per second NTSC standard video.  See the  
next page for additional details.