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Peavey SRC 1600 - Page 5

Peavey SRC 1600
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Note:
Assignment
switching
works
n
conjunction
with
AUX
"E"
Pan
control
54.
SUB
3
SECTION
PAN
(59)
For
stereo
operation,
a
AN
is
used
to
‘crcsstade’
the
Subnaster
to
the
center
left,
or
right
n
the
L-R
'‘stereo
image"
For
mono
operation,
PAN
assigns
the
Submaster
output
to
the
Left
or
Right
Masters.
PFL
(60)
The
"in'
position
of
this
switch
assgns
Sub
3
to
PFL.
SUB
3
(61)
This
fade'
sets
the
level
of
Submaster
3.
AUX
F
RETURN
SECTION
TO
AUX
A
(62)
Allows
the
AUX
"F"
return
:o
be
assigned
io
die
AUX
"A"
mix.
TO
AUX
B
(63)
Allows
the
AUX
"F"
return
:o
be
assigned
to
the
AUX
"B"
mix.
LEVEL
(64)
Controls
the
level
of
the
AUX
"F"
Return.
When
an
outboard
effects
device
is
patched
into
the
AUX
'
F"
paten
cop,
this
control
determines
the
level
of
the
effect
that
is
routed
thru
the
AUX
"F"
Pan
control.
PAN
(65)
.Assigns
AUX
"F"
Return
:o
L
&
R,
or
Subs
1
2.
3.
anc
4.
Musi
be
used
in
conjunction
with
assignment
switches
67
thru
69
PFL
(66)
The
"in"
position
of
this
switch
assigns
the
AUX
“F
1
Return
to
PFL
L-R
(67)
The
"in"
position
oi
this
switch
rau'es
the
AUX
"F”
Return
thru
AUX
"F"
Pan
control
directly
"O
left,
right,
or
both.
The
"Out"
position
removes
AUX
'"F"
from
L
and
R.
1-2
(
68
)
The
"in"
position
of
this
switch
routes
the
AUX
"F"
Return
thru
AUX
"F'
Pan
control
to
Sub
1
Sub
2
or
both.
The
’out"
position
'emoves
AUX
"F"
from
Subs
1
and
2.
3-4
(69)
The
"in"
position
of
this
switch
routes
the
AUX
"F"
Roturn
thru
AUX
"F"
Pan
control
to
Sub
3,
Sub
4
or
both.
The
"out"
position
removes
AUX
"F"
from
Subs
3
and
4.
Note:
Assignment
switching
works
in
conjunction
with
AUX
"F"
Pan
control
65.
SUB
4
SECTION
PAN
(70)
For
stereo
operation.
PAN
is
used
to
"crossfade"
the
Submaster
to
the
center
eft.
or
right
in
the
L-R
"stereo
image."
For
mono
operation,
PAN
assigns
the
Submast©'
output
to
the
Left
or
Right
Masters.
PFL
(71)
The
"in"
position
of
this
switch
assigns
Sub
4
to
PFL
RIGHT
(75)
Master
Fader
for
all
enamels
and
Submasters
assigned
to
the
RIGHT.
Determines
the
overall
Right
Main
mix
level.
POWER
SWITCH
(76)
Depress
the
switch
to
the
"On"
oosition.
The
red
power
LED
(7t)
will
illuminate
indicating
power
is
being
supplied
to
the
unit
LAMP
(77)
A
2-pin
XLR
jack
is
provided
fo
r
connecting
an
optional
gooseneck
mixer
lamp
(Model
ML-2)
for
nomination
in
adverse
lighting
conditions.
STEREO
OUT
(78)
Adjusts
the
Left
anc
Right
signal
level
to
the
STEREO
OUT
jack.
Signals
are
taken
before
(Pre)
the
LEFT
and
RIGHT
Mam
Faders.
MASTER
(79)
Controls
the
overall
mix
level
when
the
mixer
is
operated
in
the
mcno
configuration
(4x2x1)
MASTER
s
the
combination
of
the
Main
LEFT
and
RIGHT
signals
and
the
MASTER
AUX
In.
HEADPHONE
LEVEL
(80)
Adjusts
the
level
of
L/R
signals
at
the
HEADPHONE
jack,
unless
the
PFL
signal
is
present.
PFL
LEVEL
(81)
Controls
the
level
lor
any
"pre
fade
listen”
(PFL)
source,
selected
on
the
mixer
and
sends
this
signal
to
the
headphones.
One
or
more
PFL
switches
must
be
engaged
before
this
central
is
active.
PFL
LED
in¬
dicates
when
the
PFL
is
active
NOTE:
When
the
PFL
is
active,
it
over
rides
Stereo
L/R
in
the
headphones
HEADPHONE
JACK
(82)
This
stereo
ack
allows
signal
to
flow
to
both
sdes
ot
any
stereo
headset.
Tip
=
Left,
Ring
=
Right.
AUX
MASTERS/PFL
(83)
Six
AUX
MastC'S
arc
provided
(one
for
each
of
the
6
AUX
sends).
Each
AUX
Master
control
regulates
the
overall
mix
level
appearing
at
the
AUX
output
jack.
Each
AUX
Master
is
equipped
with
a
PFL
switch.
The
"in"
position
ot
this
switch
assigns
the
AUX
to
PFL
OPERATIONAL
NOTE:
(84)
The
AUX
mix
capability
of
this
console
provides
control
over
Monitor
and
Effects
mixing.
Monitor
mixes
are
normally
configured
PRE
at
the
channe
faders
(see
Pre/Post
switch
AUX
C
and
D).
The
AUX
Masters
become
Monitor
Master
controls
in
this
configuration,
controlling
the
signs
level
at
the
AUX
output
jack.
Effects
mi:<es
are
normally
con¬
figured
POST
at
tne
channel
faders.
The
AUX
Masters
become
Effect
Master
controls
in
this
contiguration.
controlling
the
signal
leve
at
the
AUX
output
jack.
AUX
A
ar>d
B
sends
are
internally
set
PRE
and
should
be
the
ob¬
vious
choices
for
Monitor
mixing.
AUX
E
and
F
sends
are
internally
set
POST
and
should
be
the
obvious
choices
for
Elects.
AUX
C
and
D
sends
are
switch-selectable
(PRE
or
POST)
anc
may
be
configured
for
either
Effects
or
Monitors.
SUB
4
(72)
This
fader
sets
the
level
of
Submaster
4
POWER
LED
(73)
Illuminates
when
AC
power
is
being
supplied
to
the
unit.
LEFT
(74)
Master
Fade'
for
all
channels
and
Submaslers
assigned
to
the
LEFT
Determines
the
overal
Led
Main
mix
level.

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