Peavey SRC 1600 - Page 7

such as oower amplifiers, graphic equalizers, etc. The AUX A Output
is PRE the channel EQ and Facer and is normally used for a separate
monitor mix.
AUX A LINE IN (99)
A line evei input to the AUX A Lne Amplifier for patching in signals
before the balanced output. Thus input ack is switching anc may be
used for "In Lne" oop capability in conjunction with the AUX A line
output. Any external sgnal patched in at this point may utilize Ihe AUX A
line carver stago and the XLR balanced outout NOTE: The insertion
of a Va” phone plug at this point removes the balanced output capabiity
from the AUX A bus via the switching jack
AUX A BALANCED OUT (100)
A balanced line output containing the AUX A output signal. The signa
level at this output is control'ed by the AUX A Maser Level, unless the
"AUX A Line Input' switching jack has been activated This baancec
output may be used to balance other stgnas which may be patchec
in at the AUX A Lne input (See AUX A Lire In, 99.)
AUX B SECTION
AUX B AUX IN (101)
An input for patching external signals into the AUX B mixing bus. When
connecting more than one mixor for additiona channels Ih© AUX or
Monitor output from the second mixer should normally patch In at this
pom.
AUX B OUT (102)
An outout from the combination of AUX B channel SEND controls and
the AUX B Master control for patching signals out to externa devices
such as power amplifiers, graphic equalizers, etc. The AUX B Output
is POST the channel EG and Fader and is normally used to drve ex¬
ternal effects processors controlled oy AUX B Effects loop When ex¬
ternal effects devices are not employed the AUX B Output may be
usee as a separate recording mx or to drive additional power
ampispoakor combinations
AUX B LINE IN (103)
A Ime level input to the AJX A Lne Amplifier for patching in signals
before the balanced output. Ths input jack is switching and may bo
used for “In Line - ’ loop capability in conjunction with the AUX B line
output. Any external signal patchea in at this point may utilize the AUX A
Ime driver stage anc the XLR balanced output. NOTE: The insertion
of a Va' phone plug at this point removes the balsnoed cutout capability
Fom the AUX B bus via the switching jack.
AUX B BALANCED OUT (104)
A balanced line output containing the AUX B output signal. Tne sgnal
levei at this output s controlled by the AUX B Master Level, unless the
' AUX B Line Input' switching jack has been activated. This balanced
output may be used to balance other signals which may be patched
in at the AUX 3 Lino Input. (See AUX B Line In. 103.)
AUX C SECTION
AUX C OUT (105)
An output from the combination of AUX C channel SEND controls and
the AUX C Master ccntro for patching signals out to external devices
such as power amplifiers, graphic equalizers etc. The AUX C Output
is switchabe PRE or POST from the channel and may t© used as a
separate monitor mix or to drive external effects processors. When ad¬
ditional monitor mixes are not needed and no external effects devices
are employed, the AUX C Output may oe used as a separate recor¬
ding mix o r to drive additional power amptepeaker combinations.
AUX C RETURN (106)
A signal patchea into the AUX C Return input is routed directly to tie
AUX C Leve control, completing the "C effects loop. (See AUX C
OUT, 101) The AUX C Return jack is normally used for the output from
external effects devices controlfed by the AUX C bus
AUX D SECTION
AUX D OUT (107)
An cutout from the combination of AUX D channel SEND controls anc
the AUX D Master control for patching signals out to external devices
such as power amplifiers, graphic equalizers, etc. The AUX D Output
$ switch able PRF or POST from the channel and may be used as a
separate monitor mix or to drive external effects processors When ad¬
ditional monitor mixes are net needed and nc external ef-
iocts devices are employed, the AUX D Output may bo used as a
seoarate recording mix or to drive additional power amp'speaker
combinations
AUX D RETURN (108)
A signal patched into the AUX D Return input is routed directly to the
AUX D level control, completing ihe "D" effects loop. iSee AUX D
OUT 103.) The AUX D Return jack is normally used for the oulput Ircm
external effects devices controlled by the AUX D bus.
AUX E SECTION
AUX E OUT (109)
An output from the ccmonation of AUX E channe ! SEND controls anc
the AUX E Master control for patching signals out tc external devices
sue?' as power amplifiers, graphic equalizers, etc. The AUX E Output
is POST ihe channel EO and Fader and is normalv used to dnve ex¬
ternal effects processors. When nc external effects devices ere
employed, the AUX E Output may be used as a separate recording
mix. or to drive additional power amp/speaker combinations.
AUX E RETURN (110)
A signal patchea into the AUX E Return input is routed directly to the
AUX E Level cont'cf. completing the “E" effects loop (S©e AUX E OUT.
105.) The AUX E Return jack is normally used for the output from ex¬
ternal effects devices controlled by the AUX E bus
AUX F SECTION
AUX F OUT (111)
An output from the combination of AUX F channel SEND controls and
the AUX F Master control for patching signals out to external devices
such as paver amplifiers, graphic equalizers, etc The AUX F Output
is POST the channel EO and Fsder and is normally used to drve ex¬
ternal effeefs processors. When no external effects devices are
employed. Ihe AUX F Output may be used as a seoarate recording
mix or to drive additional powe r amp/speaker combinations
AUX F RETURN (112)
A signal patched into the AUX F Return input is routed directly to the
AUX F Level ccntro completing ths "F” effects loop (See AUX F OUT,
107.) The AUX F Return jack s normally used for the output from ex¬
ternal effects dewces controlled by the AUX F bus.
SUBMASTER SECTION
SUBMASTER AUX INPUTS (113)
These inputs may be useo to patch an external signal into any of the
four submix ouses. AUX inputs are normally jsed for connecting a se¬
cond mixe' for additional channels.