Peavey VIP 1

Instruments
V
IP 1
V
IP 2
V
IP 3
Acoustic 1
X
X
X
Acoustic 2
X
X
12 string
X
X
7 string
X
X
Resonator
X
X
Sita
r
X
X
EVIO
X
X
Synth
X
X
Bari
X
X
Bass
X
X
X
Stompboxes
V
IP 1
V
IP 2
V
IP 3
TSC
X
X
X
Fuzz
X
X
Comp
X
X
X
Slap
X
Wah
X
X
X
Phase
r
X
X
X
Flanger
X
X
X
Synth
X
X
X
Slice
X
X
X
Env Filter
X
Pitch shifter
X
Chorus
X
X
X
Octaver
X
Rotary
X
MOG
X
Tremolo
X
Reverse
X
Uvb
X
X
X
Ring Mod
X
X
X
V
ibrato
X
Boost
X
X
X
Effects
V
IP 1
V
IP 2
V
IP 3
Tremolo
X
X
Octaver
X
X
Phase
r
X
X
Rot. Spkr
X
X
Reverse
X
X
Pitch Shft
X
X
mog
X
X
Flanger
X
X
Comp bst
X
X
Env. Filter
X
X
Chorus
X
X
Instruments
V
IP 1
V
IP 2
V
IP 3
Acoustic 1
X
X
X
Acoustic 2
X
X
12 string
X
X
7 string
X
X
Resonator
X
X
Sita
r
X
X
EVIO
X
X
Synth
X
X
Bari
X
X
Bass
X
X
X
Stompboxes
V
IP 1
V
IP 2
V
IP 3
TSC
X
X
X
Fuzz
X
X
Comp
X
X
X
Slap
X
Wah
X
X
X
Phase
r
X
X
X
Flanger
X
X
X
Synth
X
X
X
Slice
X
X
X
Env Filter
X
Pitch shifter
X
Chorus
X
X
X
Octaver
X
Rotary
X
MOG
X
Tremolo
X
Reverse
X
Uvb
X
X
X
Ring Mod
X
X
X
V
ibrato
X
Boost
X
X
X
Effects
V
IP 1
V
IP 2
V
IP 3
Tremolo
X
X
Octaver
X
X
Phase
r
X
X
Rot. Spkr
X
X
Reverse
X
X
Pitch Shft
X
X
mog
X
X
Flanger
X
X
Comp bst
X
X
Env. Filter
X
X
Chorus
X
X
The synth is a  (one note at a time) effect that creates a square wave at the frequency
of the input string and runs it through a built-in envelope filter and pitch glide controller. The attack
parameter controls the amount of filter modulation - higher values result in more wah-like filtering. The
glide parameter controls the amount of time it takes to glide from one note to another. Higher values result
in more audible sliding between notes. P1 Attack, P2 Glide
The Slicer turns the signal on and off very fast or very slow. You can create hythmic effects with
the Slicer, you just have to experiment. P1 Speed, P2 Width



: Originally designed to be a rotary speaker simulator, Uvb quickly took on a life of it’s own. It’s been
one of the most popular effects since Hendrix pulled it out for the National Anthem at Woodstock: P1
Speed, P2 Depth
The Ring Modulator combines two waveforms, and outputs the sum and difference of
the frequencies present in each waveform. As you will see this effect is certainly a little different but can
be a lot of fun. Listen to the guitar solo in “Paranoid” and you will hear a Ring Modulator combined with a
Fuzz distortion. Parameter adjustments: P1 Carrier Frequency, P2 Mix
Unlike Tremolo, which changes the volume of the signal to create the effect, Vibrato changes the
pitch slightly to create the effect. P1 Speed, P2 Depth
 This compressor allows you to set an output level and the sensitivity at which it kicks in (Edit
mode). Compressors can produce percussive, clicky sounds on clean guitar - or mellow sustain for lead
work. Try this stompbox effect on a clean channel and strike the strings softly at first and than harder to
hear and feel the effect. Parameter Adjustments: P1 Sensitivity, P2 Level
 This unmistakable classic warm analog chorus model will no doubt be a staple in your preset
arsenal. P1 Speed, P2 Depth
Analog Phase is an effect commonly confused with Flanging. Phasing uses changes in the
frequency spectrum to create peaks and valleys in the audio signal. Check out “Ain’t Talking ‘Bout Love.”
P1 Speed, P2 Depth
Flanging is a time-based audio effect that occurs when two identical signals are mixed
together with one signal slightly delayed. This delay produces a swept comb filter effect. - Check out the
intro to “Cowboys from Hell” or “Barracuda”. P1 Speed, P2 Depth
 The auto wah uses frequency filter sweeps in the range typically associated with vocals to give the
guitar a “Wah” sound. Think “Voodoo Child” on autopilot. P1 Speed, P2 Sweep Depth