Listening
to
the
Demo
Songs
(ROiVl
Play)
The JV-30
contains two
demonstration songs stored in ROM which take
full
advantage of the
instrument's multi
timbral sound generation capabilities.
To
hear the Demo Songs,
follow this procedure:
®
BSTKay
Press
simultaneously
b
©Stop (D
Press simultaneously
(T)
Press [LEVEL] and [PAN]
simultaneously. The following will appear
in
the
display:
^iSS ROM PLflV ^11
Rll Songs
(2)
Press
either the PARAMETER [A]
or
[]
key to select a
song.
If
you do
not make
this selection, the unit will play
both songs, one after the
other.
(D
Press VALUE [A]
to start song play.
®
Press
VALUE [T] to stop song play.
©To
exit the ROM Play
mode, you must once
again simultaneously press
[LEVEL]
and
[PAN].
The display
will show what it did before
entering the ROM Play mode.
*
The keyboard
cannot be used to play
anything while ROM Play
is in progress.
*
The
performance data for
these demonstration songs
is not output from
MIDI OUT.
Song Title Biographies
of Composers
Dreamscape
Music by
Adrian
Scott
Copyright
©
1991.
Adrian Scott
Adrian Scott
Adrian
Scott
formerly handled the vocals and keyboards for the popular group
from Australia, "Air Supply". Since following the solo path, he in 1984 won the
Silver Prize at the "World Song Festival Tokyo
'84".
Currently, he is involved as
a producer of commercial music and music for films. In addition, as a session
player, he has performed
along with
a
number of
Australia's top
musicians,
including John Farnham and Kylie Minogue. He
lives
in Melbourne, Australia.
ROUND AND ROUND
Music
by
Chong Lim
Copyright
©
1991,
8MG Publishing
Chong Lim
Chong Lim is a busy session keyboard player, arranger, producer
and composer
working mainly in the cities of Melbourne and Sydney , Australia . He has
collaborated with many top international artists including Jermaine Jackson, Jenny
Morris, Little
River
Band. The Eurogliders etc. He is also actively involved in the
composition of soundtrack
music
for film
and
television.
*
Please
note
that relevant
laws prohibit the recording of the
demonstration songs
on tape, as well as
their use for public
performance or broadcast (and all
other
usage which
would extend beyond
private, personal enjoyment)
without the per-
mission of the holder
of the rights to such material.
10
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