55
Effects List
Indicated
number
Effect name
Overview Effect parameter name when changed by holding down
[MULTI EFFECTS] and pressing [INC] or [DEC] (p. 29):
An overview thereof (Value)
00
THRU
01
EQUALIZER
Amplifies the low and high ends for a notice-
ably striking tone.
EQ Gain:
Gain of the low and high range (0–30)
02
MID CUT
Cuts the midrange for a clean, refreshing
tone.
Mid Gain:
Gain of the middle range (0–30)
03
LOW CUT
Reduces the volume of the low end. Low Gain:
Gain of the low range (0–64)
04
LOW BOOST
Boosts the volume of the lower range, creat-
ing powerful lows.
Boost Gain:
Amount by which the lower range will be boosted (0–12)
05
NOTCH
FILTER
This filter cuts specific frequencies. Filter Cutoff:
Cutoff frequency of the filter (0–127)
06
STEP FILTER
This filter changes the cutoff frequency in a
stepped fashion.
Rate:
Rate of modulation (0–21)
07
ENHANCER
Controls the overtone structure of the high
frequencies, adding sparkle and tightness to
the sound.
Sens:
Sensitivity of the enhancer (0–127)
08
AUTO WAH
Cyclically controls a filter to create cyclic
change in timbre.
Manual:
Adjusts the center frequency at which the effect is applied
(0–127)
09
HUMANIZER
Adds a vowel character to the sound, making
it similar to a human voice.
Rate:
Frequency at which the two vowels switch (0–21)
10
SPEAKER
SIMULATOR
Simulates the large triple stack speaker Direct Level:
Volume of the direct sound (0–127)
11
PHASER
This is a stereo phaser.
A phase-shifted sound is added to the origi-
nal sound and modulated.
Rate:
Frequency of modulation (0–21)
12
STEP PHASER This is a stereo phaser.
The phaser effect will be varied gradually.
Step Rate:
Frequency of modulation (0–21)
13
MULTI
PHASER
Extremely high settings of the phase differ-
ence produce a deep phaser effect.
Rate:
Frequency of modulation (0–21)
14
INFINITE
PHASER
A phaser that continues raising/lowering the
frequency at which the sound is modulated.
Speed:
Speed at which to raise or lower the frequency at which the
sounds modulated (0–200)
15
RING
MODULATOR
This is an effect that applies amplitude mod-
ulation (AM) to the input signal, producing
bell-like sounds.
Frequency:
Adjusts the frequency at which modulation is applied (0–127)
16
STEP RING
MODULATOR
A ring modulator that cyclically changes the
modulated frequencies.
Rate:
Rate of modulation (0–21)
17
TREMOLO Cyclically modulates the volume to add
tremolo effect to the sound.
Rate:
Frequency of the change (0–21)
18
AUTO PAN Cyclically modulates the stereo location of
the sound.
Rate:
Frequency of the change (0–21)
19
STEP PAN
Cyclically modulates the stereo location of
the sound.
Rate:
Frequency of the change (0–21)
20
SLICER
By applying successive cuts to the sound, this
effect turns a conventional sound into a
sound that appears to be played as a backing
phrase. This is especially effective when ap-
plied to sustain-type sounds.
Rate:
Frequency of the change (0–21)
21
ROTARY
The Rotary effect simulates the sound of the
rotary speakers often used with the electric
organs of the past.
Speed:
Rotational speed of the rotating speaker (0–1)
22
VK ROTARY
This type provides modified response for the
rotary speaker, with the low end boosted fur-
ther.
Speed:
Rotational speed of the rotating speaker (0–1)
23
CHORUS
This is a stereo chorus. Depth:
Depth of modulation (0–127)
24
FLANGER
This is a stereo flanger.It produces a metallic
resonance that rises and falls like a jet air-
plane taking off or landing.
Depth:
Depth of modulation (0–127)
RD-300SX_e.book 55 ページ ２００５年４月２０日 水曜日 午後３時４０分
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