Sansui 350A - Tape Deck Integration and Use

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OPERATIONS
-TAPE
PLAYBACK
-TAPE
RECORDING
Connecting a Tape
Deck
Tape
decks can be connected to record from, and
playback through, the amplifier.
Tape
monitoring
is
possible only with a tape deck having a separate
playback pre-amplifier as well as separate recording
and playback heads.
DIN
Plug Tape
Deck
If
your tape deck has a
DIN
(German Industrial
Standard) 5-pin plug, plug into the
TAPE
RE-
CORDER socket on
the
rear
panel of the amplifier.
Pin-Jack Tape
Deck
To Rec
or
d-Connect
the recording inputs
of
a
stereo tape deck to the REC terminals of both
channels.
If
a monophonic tape deck
is
used, con-
nect its input to either left or right channel REC
terminal.
To
Pla
y
Ba
ck
-Connect
the playback outputs of a
stereo tape deck to the
MON
terminals of both
channels.
If
a monophonic tape deck
is
used, con-
nect its output to either lef for right channel
MO
terminal.
Monitoring
To monitor a tape while using a 3-head tape deck,
follow the same procedures as in the preceding sec-
tions. Be sure to set
the
TAPE
MONITOR
switch
to the
ON
position.
To
Record
on
Tapes
1.
Set the
SELECTOR
switch to the program
source to be recorded.
2.
Set the MODE switch to the desired position
(STEREO
or
MO
0 ).
3.
Operate the tape deck for recording.
4.
Use other controls and switches accordingly.
To
L
is
ten
to
Tap
es
1.
Turn
the
TAPE
MO
!TOR
switch on.
2.
Set the MODE switch to
STEREO
or MONO,
depending
on
the type of deck used.
3.
Set the tape deck for playback.
4.
Use other controls and switches accordingly.
To
Monitor Tapes
1.
Turn
the
TAPE
MO
ITOR
switch 0
2.
Set the MODE switch to
STEREO
or [ONO,
depending on the type of tape to be monitored.
3.
Set the tape deck for recording and monitoring.
4.
Use other controls and switches accordingly.
NOTE
:
1.
Tape
decks referred to
in
this section include
only those with built-in playback preamplifiers.
2.
Recorded tapes cannot be controlled by the
controls and switches on the front panel
of
the
amplifier.
They
control sound from the speakers
only.
3.
For best results, record directly through the
amplifier,
rather
than through microphones placed
in
front of the speakers.
4.
When
not in use, the
TAPE
MONITOR
switch
must be
in
the
OFF
positio
n.
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