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General| Network Audio | Dante |
|---|---|
| Touch Screen | Yes |
| DSP Processing | Yes |
| Motorized Faders | Yes |
| Type | Digital Mixer |
| Stereo Channels | 8 |
| Sampling Frequency Rate | 48 kHz |
| Total Harmonic Distortion | 0.05% |
| Power Requirements | AC100-240V 50/60Hz |
| USB Port | 1 |
| Dimensions | Varies by model |
| Weight | Varies by model |
| Mix Buses | 16 |
Describes audio purity and premium processors like Portico for sound shaping.
Focuses on touch-panel displays, "Touch and Turn" knobs, and remote control for efficient operation.
Highlights Dante networking, "Port to Port" feature, and expansion slots for system flexibility.
States basic specifications are the same across models for consistent performance.
Shows rear panel connections for QL5 and QL1.
Details R-series I/O rack models for flexible input/output setup.
Emphasizes meticulous analysis of components and construction for extraordinary audio quality.
Explains Virtual Circuit Modeling and collaboration with Rupert Neve for analog audio device emulation.
Details the integration of Dan Dugan's automatic mic mixing for optimized gain control.
Describes the intuitive "Touch and Turn" knob operation for parameter adjustment and visual feedback.
Provides an overview of channel parameters via touch display and physical controls.
Focuses on the ergonomic design and tactile feel of the faders for comfortable operation.
Explains direct access to parameters via display knobs and on-screen User Defined Knobs.
Describes the Fader Bank section for organizing and accessing channels, including custom setups.
Details the illuminated channel name displays and color bars for easy identification.
Highlights the all-in-one nature for portability and speedy setup, reducing the need for external gear.
Explains the benefits of Dante networking for low latency, low jitter, and easy setup.
Discusses Dante's support for redundant connections to prevent network issues.
Describes direct port-to-port routing for freedom and multi-console use.
Explains the Gain Compensation function to prevent mix balance issues during input sharing.
Details the virtual rack for mounting VCM processors like Portico for studio-quality sound.
Describes the virtual rack for mounting ambience and insert effects, including REV-X reverbs.
Explains the GEQ rack for graphic EQs, "Flex15GEQ", and Dan Dugan Automixer integration.
Models the Portico 5033 EQ and 5043 compressor/limiter by Rupert Neve.
Classic studio equalizer emulating vacuum tube and transformer EQ circuitry.
Dynamically adjusts EQ gain based on level variations for compression, limiting, and de-essing.
Models tape decks' analog circuitry and tape characteristics for sound variations.
Studio standard compressor emulating 1960s optical compressor characteristics.
Models 70s compressor/limiter with solid-state RMS detection and VCAs.
Emulates a popular 1960s optical studio compressor's compression and release characteristics.
Recreates a popular 70s EQ circuit topology for a sweet analog tone.
Allows direct 2-track recording in mp3 format to USB flash drives for easy playback.
Integrates with Dante Virtual Soundcard and DAWs for multitrack recording.
Allows storing and recalling up to 300 console setups (scenes) for quick configuration.
Provides up to 1000 ms delay on input for phase compensation and output for speaker tuning.
Features 4-band parametric EQ and two dynamics processors per channel, plus a de-esser.
Enables flexible grouping of input channels for simultaneous control using 16 DCA groups.
Allows assigning channels to 8 mute groups for instant muting/un-muting.
Provides 12 assignable keys for frequently used functions like Sends on Fader.
Allows storing multiple sets of User Keys for different operator needs or security.
Provides access to the onboard operation manual via an on-screen "Help" button.
Offers a GPI interface for responding to external switches and transmitting status.
Mobile app for remote mixing from audience seating or stage positions via iPad.
Computer application for offline parameter setup, scene management, and data editing.
Highlights mix data compatibility between QL/CL series and older Yamaha consoles.
Explains cascading QL consoles via I/O cards for systems requiring high channel capacities.
Adds speaker processing via MY card slots, offering Mesa EQ, Ideal Graphic EQ, and Linear Phase EQ.
Demonstrates a compact system using QL1 with Dan Dugan Automixer for speech events.
Shows a live system using Dante networking with R-series I/O racks and Aviom monitors.
Directs users to the Yamaha Pro Audio website for additional information and training support.
Lists specifications for analog output connectors, impedance, and levels.
Details specifications for Dante and AES/EBU digital input/output formats and levels.
Lists specifications for the Mini-YGDAI expansion slots.
Details specifications for MIDI, Wordclock, GPI, Network, Lamp, and USB Host interfaces.
Provides detailed specifications for analog input and output connectors, impedance, and levels.
Shows the physical dimensions and mounting information for the QL5 console.
Shows the physical dimensions and mounting information for the QL1 console.
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