Zoom Guitar Effects Console G9.2tt2q - Page 44

＊When connected to a guitar amplifier, select the "For LIVE use" patches. When connected to a recorder or similar equipment, select the "For REC use" patches.
＊Banks A and b of the preset area contain the same patches as banks U and u.
＊The noise reduction setting may have to be adjusted according to the guitar and amplifier you are using.
G9.2tt Patch List
DEMO
MODELING
ARTIST
MODELING
For LIVE use For REC use
FUNCTION1 FUNCTION2 Z-Pedal ( Expressionpedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
Thispatchsimulatesthenew-generationwarmingsoundofRageAgainstTheMachineguitaristTomMorello.MovingtheZ-pedalintheverticaldirectiongivesa1-octavehigherpitchchange,andthe
horizontaldirectionaddsonemoreoctave,forextremepitchchanges.ChannelAismodeledontheDiezelHerberthigh-gainsetting,andchannelBonchannel1cleansoundofthePeavey5150.
A/B Phaser on
DZ Clean PV Drive
Z-MonoPitch : PdlPosi V ( +1 Oct ) Z-MonoPitch : PdlPosi H ( +2 Oct )
u0 -1 v0 -1
G9 Drive
Thispatch is modeledonthe clean toneof the Hiwatt Custom100 with itslively midrange. The typicalsaturation characteristics ofatube amp are
faithfullypreserved,resultinginconfident,responsivesound.ImmerseyourselfinthesultrycleantoneofaBritishamp.ChannelBisatonalvariation.
A/B DelayTAP
HW Clean HW Clean
Delay : Mix Chorus : Mix
u3 -2 v3 -2
HiWatt
Simulationofthe VoxAC30TBX crunchsound withthesmooth highrange typicalof aclassA amplifier,and itsdelicately detaileddistortion.When youplay achord, the
soundvirtuallyjumpsfromthespeakerinawaythatisjustnotpossiblewithotheramps.ChannelAgivesthebeautifulcleantonethatisanotherhallmarkofaclassAamp.
A/B Tremolo on
VX Clean VX Crunch
Tremolo : Rate Tremolo : Depth
u3 -3 v3 -3
AC30TBX
ThispatchsimulatesthesmoothdrivesoundoftheHughes&KettnerTriampMKII.Letthepowerfullowendandampledistortionpropelyourleadplay.
ChannelArecreatesthesoundoftheclassAampinthecleanchanneloftheTriampMKII.
A/B DelayTAP
HK Clean HK Drive
AnalogDelay : Mix AnalogDelay : FeedBack
u3 -4 v3 -4
TriAmp
SoundmodeledontheFenderTweedDeluxebelovedbymanyBluesgreats.Drycrunchsoundwithjusttherightamountofsustainbringsoutdelicate
shiftsindynamicsthatmakeallthedifference.Layyourheartintothosepickingnuances.ChannelBcontainsaTweedDeluxesoundvariation.
A/B BPM TAP
US Blues US Blues
E/Reflection : Mix TapeEcho : Mix
u3 -5 v3 -5
TweedDLX
TheMarshallBluesbreakersimulatedby thispatchisnotanamp thatprovidesheavydistortionlike theMarshallJCMseries.Itscrunchsoundfaithfullyfollows
eachpickingnuanceandhastheclassicringofBritishBluesintheveinofEricClapton.ChannelBcontainsavariationwithstrongerdrivefeeling.
A/B MultiWah on
UK Blues UK Blues
( MultiWah : Frequency ) TiledRoom : Mix
u4 -1 v4 -1
Breaker
ChannelAofthispatchcontainsthecleansound ofaFenderTwin Reverb,whilechannelBrecreates thecrunchsoundof theFenderBassman.With
thesetwogreatchoices,youcanmakeoptimumuseofthestereochoruswhileplayingawidevarietyofstyles.
A/B ST-Chorus on
FD Clean TweedBass
ST-Chorus : Mix ModernSpring : Mix
u4 -2 v4 -2
W Fender
ThispatchsimulatestheDeepsettingoftheDiezelampknownforitshard,high-gaintone,usedextensivelybybandssuchasMetallica.Itisbestsuited
toplayingguitarwithdroptuning.CombinationwithGateproducesadramaticandstartlingsound.ChannelAisaMarshallcrunchsound.
A/B DelayTAP
MS Crunch DZ Drive
PdlMonoPitch : PdlPosi Echo : Mix
u4 -3 v4 -3
Metallic
Simulationof thefamous RitchieBlackmore sound.Channel A emulatesthe Marshall1959 andchannel Bthe ENGL Drvsetting forDeep Purpleand
Rainbowsound,respectively.Pressfunctionfootswitch2toturntheboosteronandgetthatgreattoneforleadplay.
A/B Booster on
MS #1959 ENGL Drv
Ensemble : Mix Echo : Mix
u4 -4 v4 -4
BlackMor
Theideal sound forplaying surf rockin the styleof The Shadowsor The Ventures.Get those phrasesflowing and catchthe wave. Movethe Z-pedal
sidewaystousebothphaserandtremolo.ChannelBisadrysoundusingmodelingofdist+.
A/B BendChorus on
FD Clean dist+
X-Vibe : TRM Rate X-Vibe : X-Fade
u4 -5 v4 -5
SurfRock
Simulates the punk rock sound pumped out by Offspring. The drive feeling will make you want to hit those power chords, but the sound still retains
enoughcrispnessforspeedyplaying.ChannelBnotchesuptheaggressivenesswithDZDrive.
A/B Delay on
Rect Mdn DZ Drive
( Delay : Mix ) Room : Mix
u5 -1 v5 -1
Smash
SimulatesthesoundofthefamousU2guitaristEdgewhojumpedontotheworldsceneinthe1980s.MovingtheZ-pedalsidewaysproducesclearecho
sound.Makeoptimumuseofthepedalforthoseimpressivesolos.ChannelBoffersBigMufftypefuzzsound.
A/B BPM TAP
HW Clean BigMuff
ST-Chorus : Mix Echo : Mix
u5 -2 v5 -2
The Edge
Simulatestheloudandsuper-distortedsoundofSlipknot,amajorbandonthemodernheavymusicscene.MovingtheZ-pedalverticallygivesthesound
amoremetallicring,whilethehorizontaldirectionaddsambienceforsolos.ChannelAprovidesZCleansound.
A/B RingModulate on
Z Clean DZ Drive
RingModulate : Frequency AnalogDelay : Mix
u5 -3 v5 -3
NotSubtl
ThispatchsimulatestheheavyautowahsoundofStevieSalas.Itusesthecompressor+autowahcombinationindispensablefortruefunk.Makefree
useofbrushingandsingle-notecuttingtoplaythosegroovyphrases.ChannelAcontainsacleansound.
A/B AutoWah on
Z Clean Guv'nor
AutoWah : Resonance Room : Mix
u5 -4 v5 -4
SalasWah
SimulatestheoctaversoundcherishedbyJeffBeck.It'stheidealpatchforplayingpassagesinthefluiddrivingstyleofhisfamoussong"LedBoots".
Adjusttheoctaverlevelwiththepedal.ChannelAprovidesaFenderTwinReverbcleansound.
A/B DelayTAP
FD Clean RAT
Octave : OctLevel Echo : Mix
u5 -5 v5 -5
BeckOct
CleantonelikethechokingguitarofthekingofBlues,Mr.BBKing.Recreatethemoodysolofrom"TheThrillIsGone",andusethepedaltocontrolthe
ambience.ChannelBhasadrivesoundmodeledontheMarshallBluesbreaker.
A/B DelayTAP
FD Clean UK Blues
Echo : Mix ModernSpring : Mix
u6 -1 v6 -1
KingTone
Ultimate clean tone recreating the saturation of a tube amp. Select either American Fender sound (channel A) or British Vox sound (channel B). By
makinguseoftheEnergizertubecircuitry,thesoundcanbegivenadditionalsheen.
A/B Hold Delay
FD Clean VX Clean
ModernSpring : Mix AnalogDelay : Mix
u0 -2 v0 -2
CleanCMB
VersatileoverdrivesoundverypopularinFusionandCrossoverofthenineteen-eighties.Whenplayingaguitarsolo,increasethegainbypushingdown
theZ-pedal.AdddelaybymovingtheZ-Pedalsideways.ChannelAoffersZCleansoundforcutting.
A/B BPM TAP
Z Clean OverDrive
AMP-B : Gain Delay : Mix
u0 -3 v0 -3
CrosOver
Compression + phaser sound great for funky cutting. Cross-fade the regular phaser with the original sound by moving the Z-pedal sideways. Add
brushingandsingle-noteriffstoreallybuildthatgroove.ChannelAisacleansoundvariationbasedontheFenderTwinReverb.
A/B Step on
FD Clean VX Clean
X-Phaser : Rate X-Phaser : X-Fade
u0 -4 v0 -4
X-Phase
This patch is ideal for some tricky guitar play. Use the Z-pedal with one foot and turn into Steve Vai. Control wah with vertical pedal movement and
operateamonopitchshifterinrealtimewithhorizontalpedalwork.ChannelAcontainstheMarshall1959crunchsoundwithmoderategain.
A/B PdlMonoPitch on
MS #1959 MS Drive
PedalVox : Frequency PdlMonoPitch : PdlPosi
u0 -5 v0 -5
Wah&Pit!
MaketheguitartalkwiththeZ-pedal. MovingthepedalinaV-shapedpattern duringchordstrokingcreatesaback-upchorus. OrswitchtochannelB
withtheFuzzFacesoundforstrongerimpact.ChannelAoftheRECpatch(u1-1)containsZCleansound.
A/B DelayTAP
OFF FuzzFace
Z-Talking : Formant V Z-Talking : Formant H
u1 -1 v1 -1
Z-Talker
Drysoundreminiscentoftheseventies.GraduallymovingtheZ-pedalverticallybringsupfromthe"womantone"ofEricClaptontobrightertone.Channel
AisacombinationofFendercomboampandIbanezTS-9crunchsound.
A/B DelayTAP
TS+F_Cmb SD+M_Stk
P-Resonance : Frequency AnalogDelay : Mix
u1 -2 v1 -2
'70s Dry
Psychedelicmorphingsoundusingreversedelay. Letthepedaltakeyoufromtherealworld(Arena)totheworldoffantasy(ReverseDelay), andback
again.ChannelBgivesaheavilydistortedMarshallsound.
A/B P-Resonance on
Z Clean MS Drive
ReverseDelay : Balance P-Resonance : Frequency
u1 -3 v1 -3
Morphing
ApatchthataddsharmonyinCmajoranddelaytoleadcrunchsound.TheZ-pedalletsyoufreelycontrolthemixingratioofdelayandharmonizedpitch
shifter.WhynottryyourhandatguitarorchestrationusingdelaytapandtheZ-pedal.ChannelAisacleansoundbasedonthesameVoxAC30TBX.
A/B DelayTAP
VX Clean VX Crunch
Delay : Mix H.P.S : Mix
u1 -4 v1 -4
HarmonyC
This patch uses the acoustic effect to modify the sound of an electric guitar in electroacoustic style. The beautiful ambience creates a Jazzy feel.
Recommendedforusewithsingle-coilfrontpickups.ChannelBprovidestheFenderTwinReverbcleansound.
A/B Ensemble on
Aco.Sim FD Clean
Hall : Mix Delay : Mix
u1 -5 v1 -5
AcoJazz
Apatch modeled on the legendary Marshall 1959 SuperLead100used extensively by numerous rock guitarists. Enjoydistortionthat is slightly different from
modernhigh-gainstackamps.PushingtheZ-pedalallthewaydownturnsvibratoon.ChannelAisavariationofthesameampwithlowergainsetting.
A/B Booster on
MS #1959 MS #1959
( Vibe : Rate ) Spring : Mix
u2 -1 v2 -1
MS#1959
ThispatchsimulatesthesoundoftheENGLE650RitchieBlackmoreSignature100.Ampledistortionbutnevermuddy,thatiswhatRitchieBlackmore's
soundisallabout.MovingtheZ-pedalhorizontallybringsX-WAHintoplay.ChannelAisavariationofthesameampwithlowergainsetting.
A/B Delay on
ENGL Drv ENGL Drv
X-Wah : Frequency X-Wah : X-Fade
u2 -2 v2 -2
ENGL
Simulates the high-gain sound of the Mesa Boogie Rectifier, a world-wide standard for heavy music. Warm sound with a strong presence provides a
mightybuildupwhetherplayingriffsorlead.ChannelAprovidesthecleanchannelsound(RectCln).
A/B Hall on
Rect Cln Rect Vnt
Hall : Mix Chorus : Mix
u2 -3 v2 -3
Rectify
AsimulationoftheRolandJazzChorussoundwithitsbeautifulchorus-basedcleantone.Everyguitaristneedsatransparentcleansoundwithawiderangeofuses,forcutting,arpeggios
andmanyothersituations.Stereochoruscanbeturnedonandoffwiththefunctionfootswitch.ChannelAoffersatonevariationofthesameJazzChorus.
A/B ST-Chorus on
JC Clean JC Clean
ST-Chorus : Mix Hall : Mix
u2 -4 v2 -4
J-Chorus
ThispatchrecreatesboththeMarshallJCM800andJCM2000.ChannelAismodeledonthecharacteristicallysolidcrunchsoundoftheJCM800,whilechannelBbrings
youthehighergainsoundoftheJCM2000.TogglebetweenchannelsAandBwiththefunctionfootswitch,forquickaccesstotwotypesofMarshallsound.
A/B MultiWah on
MS Crunch MS Drive
( MultiWah : Frequency ) Hall : Mix
u2 -5 v2 -5
800/2000
AsimulationoftheDiezelHerberthighgainsoundpopularamongguitaristswhowantthatextraheavyimpact.Dryandpenetratingdistortionnotavailablewithotheramps
sharplyetchestheoutlinesalsoofaheavilydown-tunedguitar.ChannelAuses"DZClean"whichsimulatestheDiezelHerbertchannel1withultra-clean,transparenttone.
A/B AutoWah on
DZ Clean DZ Drive
Z-MonoPitch : PdlPosi V ( +1 Oct ) Z-MonoPitch : PdlPosi H ( +1500 Cent )
u3 -1 v3 -1
Diezel
G9.2tt-Patchlist-E-1
Continuedoverleaf
＊
Manufacturer names and product names mentioned in this document are trademarks or registered trademarks of their respective
owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION.
For LIVE use For REC use
FUNCTION1 FUNCTION2 Z-Pedal ( Expressionpedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
＊The amp channel indicated by shading will be selected when the patch is called up.
＊The Z-pedal setting indicates the effect type name and the parameter name. Expression pedal 1 is always assigned to the Volume parameter.
＊The symbol indicates the vertical direction setting and the symbol the horizontal direction setting.
＊An effect listed in brackets ( ) in the Z-pedal setting can be turned on by depressing the pedal fully.