These are the echo and modulation effects usually
applied for special effect.
Each channel has a wet/dry control to determine how
much signal is routed direct (dry) to the
mix, or
via the effects processor (wet) to the
mix. When
set fully wet it is known as an ‘insertion effect’ as all
the signal is processed. When mixed with dry it
behaves as a ‘system effect’ as the effect is added to
the dry signal. Make sure the
fader is set to ‘0’
when using insertion effects.
Set the echo delay time using the
parameter, the
amount of feedback (repeat) using
, how fast the
high frequency content decays using
, and the
global wet/dry mix using
. Set the modulation
speed and depth of effect using
and
.
parameter 1 parameter 2 parameter 3 parameter 4
1-8
# $
Mono echo - Combines left and right signals to feed the echo
delay
10 to 740mS
damping
1 to 25
regeneration
0 to 99 %
1 to 25
9-12
13-14
% # $&
Stereo echo - Retains the stereo image of the echo signal
2-tap echo - Alternates between left and right channels. Ping pong effect
delay
10 to 370mS
damping
1 to 25
regeneration
0 to 99 %
1 to 25
15-16
#'%
Stereo chorus effect to thicken the sound
depth
1 to 50
speed
1 to 25
17-18
'
Doubling effect to thicken the sound
depth
1 to 50
19-20
21-22
'
#
Mono flanging effect
Metallic resonant phasing effect
depth
1 to 50
speed
1 to 25
regeneration
0 to 99 %
23-24
25-26
27-28
29-30
(')
% (
)'
)
Mono vibrato (pitch) modulation
Stereo vibrato (pitch) modulation
Amplitude (volume) modulation
Amplitude modulation alternating between left and right channels
depth
1 to 50
speed
1 to 25
31
)
foot pedal volume control
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