At LTO we thought that you deserve a very versatile auxiliary section. So we provided you eight discrete auxiliary
sends with independent level controls and several pre-/post-fader switches. Generally pre-fader is used for monitor
purposes, allowing the sound engineer to set a level that's independent by channel fader setting. In this way the con-
trol will be much more accurate and the sound engineer doesn't risk unwanted feedback when, for example, he raises
AUX 1
The AUX 1 send level can be adjusted
from - up to +10dB.
AUX 2
The AUX 2 send level can be adjusted
from - up to +10dB.
AUX3&4
The AUX 3 & 4 send level can be
individually adjusted from - up to
+10dB.
AUX 5-8
The AUX sends 5 to 8 level can be
individually adjusted from - up to
+10dB.
PRE/POST switch
This switch sets pre-/post-fader the Aux 1
signal.
PRE/POST switch
This switch sets pre-/post-fader the Aux 2
signal.
PRE/POST switch
Auxiliary sends 3 & 4 share the same pre-/
post-fader switch.
PRE/POST switch
Auxiliary sends 5 to 8 share the same pre-/
post-fader switch.
13
[ Typhoon Mono Input Channels ]
the level of the lead singer. Post-fader sends are better suited for FX sends control. By doing so, for example, the
sound engineer will raise the fader level of the lead singer the effect send as well, maintaining the same sound balance
between "dry" & "wet" signals. Please note that the channel Mute switch affects these controls.
AUX1
AUX5
AUX2
AUX6
AUX3
AUX7
AUX4
AUX8
PRE
PRE
PRE
PRE
POST
POST
POST
POST
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB
+10
-
8
0dB