Antelope Goliath - Technical Specifications; Input Specifications; Output Specifications; Converter Specifications

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11. Technical Specications
Inputs
Analog 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms
16 x Mic / Line universal inputs on XLR combos on the rear
(rst 4 are HiZ compatible)
4 x Instrument (HiZ) inputs on TRS ¼ jacks on front
Analog Inserts 2 x Inserts on TRS ¼ jacks (dedicated to rear universal inputs 1, 2)
Digital 2 x Fiber Optic MADI (up to 64CH each)
2 x ADAT (up to 16CH)
8 x AES/EBU I/O on 2 x D-SUB 25 (16 CH)
1 x S/PDIF
Word Clock 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz
Atomic Clock 1 x 10M Input @ 75 Ohms 1Vpp on BNC
Outputs
Analog 24 x Line outs on two D-SUB 25, +20dBu, 56 Ohms
2 x Main Monitor outs on TRS ¼ jacks
2 x Stereo Headphone outs on TRS
2 x ReAmp outs on TRS
Digital 2 x Fiber Optic MADI
2 x ADAT
8 x AES/EBU I/O on D-SUB 25 (16CHs)
1 x S/PDIF
Word Clock 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 - 192kHz
USB I/O: 1 x USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz,
32 channels I/O, Type-B
Thunderbolt
TM
1 x Thunderbolt
TM
, (64x64 channels I/O)
D/A Main Monitor Converter
Dynamic Range: 127 dB
THD + N: -108 dB
D/A Converter
Dynamic Range: 120 dB
THD + N: -107 dB
A/D Converter
Dynamic Range: 120 dB
THD + N: -110 dB