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Aphex Studio Dominator 700 - Live Sound; Other Applications; Use with the COMPELLOR

Aphex Studio Dominator 700
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c)
Mastering
The
ideal
for
mastering
is
an
invisible
transfer
from
tape
to
lacquer
at
the
maximum
level
possible.
When
using
a
conventional
limiter
to
prevent
overcutting,
the
bass
or
kickdrum
modulates
the
high
end,
causing
"holes"
and
loss
of
transient
1!feel".
If
the
lead
track
is
very
transient,
the
whole
mix
may
"duck"
during
peaks.
Due
to
its
multiband
technology
and
intelligent
control
circuits,
the
Studio
Dominator
will
not
cause
these
effects.
At
the
same
time,
a
higher
level
disc
may
be
safely
cut
with
more
predictable
groove
spacing.
4.3
Live
Sound
As
with
recording
electronics,
P.A.
equipment
has
headroom
limitations.
Although
power
amps
amd
speakers
may
be
more
forgiving
than
digital
audio
to
short
term
peaks,
various
types
of
audible,
objectionable
distortion
may
be
generated.
Furthermore,
the
amps
and
speakers
themselves
may
be
driven
to
failure.
The
studio
Dominator
not
only
prevents
system
overload
while
maintaining
audio
quality,
but
actually
improves
overall
system
performance.
It
does
this
by
enabling
all
parts
of
the
sound
system
to
safely
run
at
their
maximum
operating
levels,
continuously.
A
great
increase
in
effeciency
may
be
realized
now
that
headroom
is
no
longer
such
a
consideration.
Stage
monitors
always
demand
maximum
controlled
loudness.
The
Studio
Dominator's
limiting,
crossover
and
EQ
controls
allow
precise
tailoring
of
the
sound
for
maximum
level
before
feedback.
4.4
Other
Applications
Once
the
characteristics
of
the
Studio
Dominator
are
understood,
other
applications
become
obvious,
such
as
-
*
Film
and
Video
post-production-
The
limited
dynamic
range
and
unpleasant
sound
of
overmodulation
in
these
media
make
the
Studio
Dominator
an
essential
tool
in
any
post
house.
*
Tape
Duplication-
Master
tapes
can
be
recorded
at
a
higher
level,
making
the
dupes
"hotter\!
with
lower
noise
and
transient
distortion.
*
Satellite
Transmission
-
Signal-to-noise
ratio
can
be
improved,
and
pre-emphasis
induced
high
frequency
modulation
distortion
avoided.
Overshoots
from
companding
can
be
reducede
for
greater
channel
modulation
and
lower
distortion.
14

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