The filter can be placed at one of the four possible positions in the effects chain by
holding the SHIFT button and turning the RESO knob:
I- At the beginning of the chain
II- Between the resonator and the echo
III- Between the echo and the ambience unit
IV- At the end of the chain
11.2 Resonator
The resonator unit consists of three separate instances of a stereo comb filter, each tuned to
related frequency bands. Turning the TUNE knob changes the base frequency of the
instances using three different ratios. The FEEDBACK knob generates sustained resonance
and, at 100%, causes the unit to self-oscillate.SHIFT button and turning the TUNE knob, the
resonance can be made more
dissonant (default is 0%).
11.3 Echo
This effect unit is based on a 2-tap ping-pong delay whose time ranges from 10 ms to
4 seconds using the DENSITY knob. The REPEATS knob allows you to repeat the
delayed sound from one time at 0% to infinite at 100%.
When a clock is received at the SYNC IN, the DENSITY knob becomes a divider.
By holding the SHIFT button and turning the DENSITY knob it is possible to process the
echo through a DJ-style filter: at noon no filter is applied, going clockwise an HPF is
applied, going counter-clockwise an LPF is applied.
11.4 Ambience
The Ambience processor is loosely based on a Schroeder reverberator.
It has a unique macro control called SPACETIME knob, which allows you to adjust size,
filtering, and direction. At 50%, you get the smallest size and brightest tone, and at 0% or
100%, you get the biggest size and darkest tone.
If you set the value to less than 50%, the input signal will be reversed. The DECAY knob
controls how long the tail will take to fade out.
This unit is provided with an auto-panner synchronized with either the external sync input
or with the frequency of one looper cycle.
By holding the SHIFT button and changing the SPACETIME knob, it is possible to change the
amount and the
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