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Electro-Voice PSX600 - Input;Stereo

Electro-Voice PSX600
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INPUT
STEREO
5
—
C
TWM
-
1
1
-HO+DdB
10.
STEREO
INPUT
L/MONO
R
Electronically
balanced
inputs
for
the
connection
of
musical
instruments
with
stereo
output,
like
keyboards,
drum
computers.
E-guitars
and
E-basses
with
an
active
output
as
well
as
any
equivalent
sound
source
that
provides
a
high
level
output;
like
additional
mixing
consoles,
effect
units,
compact
disc
players,
etc.
The
stereo
LINE
input
is
meant
for
balanced
or
unbalanced
sound
sources
with
levels
between
-20dBu
and
+30dBu.
For
the
connection
of
external
devices
you
can
use
monaural
or
stereo
phone
plugs
which
are
in
accordance
to
the
diagram
below.
If
the
external
appliance
is
equipped
with
a
balanced
output
stage,
you
should
preferably
use
balanced
cables
and
plugs,
since
this
type
of
connection
provides
better
shielding
against
RF
induction
and
external
noise.
unbalanced
balanced
SHIELD
/
1^
+
S
CNjL
SIGNAL
ncrt
j_30NA
L
In
case
you
want
to
connect
a
monaural
signal
source
to
one
of
the
stereo
input
channels,
you
just
have
to
plug
it
into
the
L/MONO
input.
The
signal
is
internally
linked
to
both
channels.
11.
LINE
TRIM
These
controls
serve
to
match
the
incoming
line
level
signals
of
a
stereo
channel
to
the
PSX’s
internal
operation
level.
The
total
adjustment
range
is
30dB.
Unity
gain
-
no
amplification
(0
dB)
-
is
achieved
at
the
OdB
mark.
The
control
allows
to
attenuate
or
amplify
the
signal
level
in
the
range
of
-
lOdB
to
+20dB.
This
range
is
sufficient
for
matching
most
professional,
semi
professional,
and
even
hi-fi
signal
sources.
Adjustment
is
performed
in
accordance
to
the
description
of
the
gain
control
within
the
monaural
input
channel.
If
you
are
using
a
keyboard
as
signal
source
and
you
have
it
connected
to
one
of
the
stereo
inputs,
please
make
sure
not
to
set
split
zones
or
layers
with
channel
separation.
Otherwise
the
stereo
channel
mapping
will
appear
like
it
is
set
on
the
keyboard
and
you
will
not
have
the
opportunity
to
re-position
the
sound
in
the
overall
stereo
image,
using
the
controls
of
the
mixer.
The
better
alternative
to
connect
a
keyboard
with
pre-programmed
channel
mapping
is
to
use
two
adjacent
monaural
input
channels,
leaving
you
the
option
of
placing
the
sound
in
the
final
mix
via
the
PAN
controls.
12.
TONE
CONTROL
SECTION
The
mixer’s
tone
control
section
allows
very
differentiated
sha¬
ping
of
the
incoming
audio
signals
within
miscellaneous
frequen¬
cy
bands.
Turning
one
of
the
EQ
level
controls
to
the
right
enhances/amplifies
the
corresponding
frequency
range
while
tur¬
ning
them
to
the
left
lowers/attenuates
the
signal
of
the
specific
frequency
band.
Before
you
begin
to
alter
the
sound,
all
tone
controls
should
be
set
to
their
neutral
position;
i.
e.:
their
marker
points
straight
up
(detent
position).
Do
not
set
the
EQ
controls
to
extreme
positions.
Usually,
minor
changes
are
totally
sufficient
and
produce
the
best
results
in
the
overall
sound.
You
should
use
the
natural
reproduction
as
an
orientation
mark
and
rely
on
your
musically
trained
ear,
being
the
perfect
instrument
to
judge
the
sound
quality.
13.
FX
These
controls
determine
the
amount
of
the
summed
L
and
R
signals
that
are
sent
to
the
FX
bus.
The
signal
split
is
POST
FADER.
For
more
details
on
the
functioning
of
these
controls,
please
refer
to
the
INPUT/MONO
section
of
this
owner's
manual.
14.
AUX
These
controls
determine
the
amount
of
the
summed
L
and
R
signals
that
are
sent
to
the
AUX
bus.
For
more
details
on
the
functioning
of
these
controls,
please
refer
to
the
INPUT/MONO
section
of
this
owner's
manual.
15.
BAL
The
function
of
the
stereo
channels’
BAL
controls
is
equivalent
to
the
PAN
controls’
function
of
the
monaural
channels.
If
you
turn
the
rotary
control
all
the
way
to
the
right,
the
right
signal
is
outputted
to
the
right
output
while
the
signal
of
the
left
channel
is
entirely
muted.
When
the
control
is
set
to
its
center
position,
the
L/R
signals
are
present
with
their
equal
intensity
on
the
corresponding
outputs.
Whenever
stereo
signal
sources
are
connected
to
a
stereo
channel,
it
is
good
advice
to
leave
the
BAL
controls
at
their
center
position
or
make
only
minor
adjustments
in
either
direction.
In
case
a
microphone
or
another
monaural
audio
signal
source
is
connected,
the
BAL
controls
function
absolutely
identical
to
the
PAN
controls
of
the
monaural
input
section.
16.
SIGNAL/PEAK
For
the
stereo
SIGNAL/PEAK
indicator
function,
the
left
and
the
right
channels
are
monitored
independently.
The
respective
highest
level
reading
is
indicated,
assuring
that
neither
one
is
already
driven
into
clipping.
For
further
descriptions
on
how
to
use
this
indicator
most
efficiently,
please
refer
to
the
previous
chapter
-
INPUT/MONO.
17.
VOLUME
The
channel
fader
is
used
to
simultaneously
adjust
the
two
volume
levels
of
the
stereo
signal
simultaneously.
The
functioning
is
totally
identical
to
the
monaural
channel
fader,
as
described
in
chapter
INPUT/MONO.
6

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