1. IN LEFT (MONO)
,
IN RIGHT JACKS:
line level or high
impedance stereo audio inputs,
INPUT LEFT
– is
normalled
, i.e. pre-routed →
to
INPUT RIGHT
when no audio cable is plugged into
IN R jack
. Accept
standard unbalanced TS instrument 1/4″cables, guitar or line levels (up to
12dBV or +/-2V) with soft clipping introduced with higher audio amplitudes.
2. LINE / INSTRUMENT AMPLIFICATION SWITCH:
select
audio input amplification: line level (to the left, no amplification) or guitar level
(to the right, +11 db or approx. 3.5x gain amplification) to have enough guitar
signal.
3. OUT LEFT (MONO)
,
OUT RIGHT JACKS:
final stereo audio
outputs, accept standard unbalanced TS instrument 1/4″ cables.
4. EXPRESSION PEDAL JACK:
assignable expression pedal input.
Accepts standard RTS expression pedal, +5V supplied from the ring.
Expression pedal morphing macro settings are saved for each of the nine
presets separately. For more details on how to assign the expression pedal
jack check
EXPRESSION PEDAL ASSIGNMENT
section below.
5. MIDI IN / MIDI OUT CONNECTORS:
are standard
DIN-5
MIDI
input and output connectors.
MIDI IN
accepts a list of
CC
values (see MIDI
implementation chart at the end of the manual) on the configured MIDI
channel and MIDI clock.
MIDI OUT
can act as a MIDI THRU or generate
CC
messages and MIDI clock on knob’s movement.
6. DC IN JACK:
2.1mm/5.5mm connector for the power adapter – typical
Boss
®
standard, 500mA, +9V, center negative. This jack has internal reverse
protection and voltage rectification therefore accepts any DC adapter of 9 to
15 volts of any polarity – center positive or center negative.
7. VOLUME
/CRUSH*
KNOB with LED:
controls the final output
volume (this amount is shown with the brightness of the
blue
LED brightness:
fully lit shows 100% volume (by default) and fully off - silence). Secondary
/CRUSH*
function (pressing or holding
SHIFT
while turning the knob)
enables the
BITCRUSHER
, or in other words: lowers the
SAMPLE RATE
amount out of the
FILTER
chain: full 96 kHz at CCW and crushing to a certain
moment until the audio falls down to noise. The amount of
bitcrushing
is
shown with the brightness of the
red
LED. When turning this feature, it
radically brings aliasing to the audio signal – use on your own discretion to
creatively add lo-fi flavor. Bitcrusher always stands after the distortion (16)
with cabinet simulator (17*) stages in every routing.
8. DELAY KNOB with LED:
controls the
DRY/WET MIX OF THE
DELAY
effect (that amount is shown with the brightness of the
blue
LED
brightness). Secondary
/TONE*
function (pressing or holding
SHIFT
while
turning the knob) adjusts the tilt EQ after the WET output of the delay chain
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