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General| Type | Analog |
|---|---|
| Channels | 16 |
| Mic Preamps | 8 |
| Line Inputs | 16 |
| Aux Sends | 6 |
| Phantom Power | Yes |
| Effects | No |
| USB Interface | No |
| Inputs - Other | 2 Stereo |
| Outputs - Main | 2 |
| Outputs - Other | 6 |
| EQ Bands | 3 |
Step-by-step guide for setting optimal input levels for low noise and high headroom.
A quick guide to setting up and using the mixer for basic mixing.
Describes the phantom-powered, balanced microphone inputs and their specifications.
Details the globally controlled phantom power supply for condenser microphones.
Explains how the GAIN knob adjusts input sensitivity for MIC and LINE inputs.
Describes the 1/4" unbalanced jacks for connecting serial effects processors.
Explains the 1/4" balanced jacks that deliver signal from the end of the channel path.
Details how to use the mixer for recording, including multitrack patching.
Switch to set the mixer's voltage to match the local AC mains supply.
Controls phantom power for condenser mics and its status indicator.
Switch to isolate channels for monitoring without affecting main mix.
Describes the EQ controls for LOW, MID (sweepable), and HI frequencies.
EQ for stereo channels with fixed frequencies for LOW, LOW MID, HI MID, and HI.
High-pass filter to remove low-frequency noise and rumble.
Explains the function of the PRE switch for AUX sends (monitor vs. effects).
Selects between NORMAL (AFL) and LEVEL SET (PFL) solo modes.
Tips for diagnosing and resolving channel, output, noise, and power problems.
Details the wiring and usage of 3-pin female XLR connectors for microphone inputs.
Lists technical specifications like noise, distortion, frequency response, and levels.
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