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Mackie THUMP212XT - Page 9

Mackie THUMP212XT
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Owners Manual
9
Owner’s Manual
Large Club System
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B
B
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B
B
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B
B
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B
B
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
CH1
CH2 MAIN
THRU
OVERLOADPAIR LINK
MUSIC
DUCKING
FEEDBACK
ELIMINATOR
OUTDOOR
MODE
VOICING MODES
FRONT
LED
MUSIC
MON
LIVE
CLUB
-
MAXMIN MIN
CLUB
LIVE
VOICING MODES
MUSIC
MON
GAIN VOLUME
GAIN
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
CH1
CH2 MAIN
THRU
OVERLOADPAIR LINK
MUSIC
DUCKING
FEEDBACK
ELIMINATOR
OUTDOOR
MODE
VOICING MODES
FRONT
LED
MUSIC
MON
LIVE
CLUB
-
MAXMIN MIN
CLUB
LIVE
VOICING MODES
MUSIC
MON
GAIN VOLUME
GAIN
Hookup Diagrams continued…
Here’s how to set up a large club system. In this example, the L/R outputs of a DL6S mixer are connected directly
to the channel A inputs of a pair of Thump8S subwoofers. The Full Range Out of each subwoofer is then connected
to the inputs of an additional pair of Thump8S subwoofers.
From here, the High Pass Out of the two outer Thump8S subwoofers are connected directly to the inputs
of a set of Thump25XT loudspeakers. Then set the subwoofers High Pass Mode to Deep and the voicing
mode of both loudspeakers to live or club. Talk about beefy low end!
Outputs  and 2 from the mixer may be used as aux sends; these are connected directly to the channel  inputs of a pair
of Thump25 loudspeakers to be used as monitors for the band. The gain knob on all Thump loudspeakers in this example
should be set to Line. Lastly, all Mic/Line switches should be disengaged [Line]. Keep in mind that these “MIC” and “LINE”
markings are for reference only and may need to be raised or lowered.

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